all the light we cannot see - résultats de la recherche

Let's have a look at the environment work (and more) made by the teams of the France-based studio The Yard VFX on the Netflix...

Netflix is taking us back during the World War II with this adaptation of the Pulitzer Prize-winning novel, All The Light We Cannot See: https://www.youtube.com/watch?v=QdE-JvKqpBQ The VFX...

Rewinding to 2019, Mike Brazelton provided insight look into the visual effects work made by DNEG for Fast & Furious Presents: Hobbs & Shaw....

In 2019, Pablo Helman explained the visual effects work made by ILM on The Irishman. He went on to work on Mank, Obi-Wan Kenobi...

Important Looking Pirates (ILP) is a visual effects and digital animation studio located in central Stockholm founded in 2007 by Niklas Jacobson, Yafei Wu,...

Earlier this year, Pete Bebb explained the work of DNEG on Greyhound. He's back to talk about the crazy action sequences on the Paramount...

Matthew Bramante started his career in visual effects in 2007 at Digital Domain. He has worked on many shows such as Real Steel, Iron...

In 2013, Adam Rowland explained the work of NVIZ on CAPTAIN PHILLIPS to us. He then worked on various films such as LEGEND, LIFE, THE COMMUTER and JURASSIC WORLD: FALLEN KINGDOM.

Doug Larmour began his career in visual effects in 1999 at MPC. He has also worked at Weta Digital and One of Us. He has worked on a number of films including PROMETHEUS, GUARDIANS OF THE GALAXY, THE JUNGLE BOOK and VENOM.

In 2014, Eric Saindon explained the work of Weta Digital on THE HOBBIT: THE DESOLATION OF SMAUG. He then took care of the effects of THE HOBBIT: THE BATTLE OF THE FIVE ARMIES, PETE'S DRAGON and A GHOST STORY. Mike Cozens told us about his work on THE HOBBIT: THE BATTLE OF THE FIVE ARMIES in 2015. He then worked on MAZE RUNNER: THE SCORCH TRIALS.