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WESTWORLD – SEASON 3: Nhat Phong Tran (VFX Supervisor) & Phi...

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In 2019, Nhat Phong Tran told us about the work of Pixomondo on the second season of THE ORVILLE. He then worked on EUPHORIA. A few months ago, Phi Van Le told us about his work on MIDWAY. He then worked on FOR ALL MANKIND and WATCHMEN.

MIDWAY: Derek Spears (VFX Supervisor), Tefft Smith II (Head of Visualization)...

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The team of Pixomondo composed of Derek Spears (VFX Supervisor), Tefft Smith II (Head of Visualization) and Phi Van Le (VFX Producer) talk about their work on MIDWAY.

Dune: Paul Lambert (Production VFX Supervisor), Tristan Myles (VFX Supervisor –...

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Back in 2017, Paul Lambert explained the work of DNEG on Blade Runner 2049. He then worked on First Man. Today he talks to...

The Mysterious Benedict Society: Philippe Thibault – VFX Supervisor & Co-founder...

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Philippe Thibault has been working in visual effects for over 20 years. He is the co-founder of the studio FOLKS. He has worked on...

Zoic Studios Expands Vancouver Studio with Trio of New Hires

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Zoic Studios is expanding their office in Vancouver with the addition of Craig Wentworth as VFX Supervisor, Patricia Binga as Animation Supervisor and Adam...

THE CHRISTMAS CHRONICLES 2: Martin Hill (Overall VFX Supervisor), Nick Stein...

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In 2019, Martin Hill explained to us the work of Weta Digital on the final season of GAME OF THRONES. Today he talks to us with Nick Stein (Animation Supervisor), Thrain Shadbolt, Philip Leonhardt (VFX Supervisors) about their work on Netflix's tale, THE CHRISTMAS CHRONICLES 2.

ALTERED CARBON – SEASON 2: Dan Charbit (VFX Supervisor) & Barry...

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Dan Charbit started his career in visual effects more than 20 years ago in France and has worked in many Parisian studios such as Mac Guff Ligne. In 2013, he moved to Montreal and worked for Rodeo FX, FOLKS and MPC before joining DNEG in 2018. As a VFX Supervisor, he took care of the effects for shows like SHADOWHUNTERS, CATCH-22 and ALTERED CARBON - Season 2. Barry Corcoran has been working in visual effects and motion graphics for over 10 years. He worked at Rushes and joined DNEG in 2018. He has worked on projects such as SPECTRE, DEADPOOL 2, VENOM and HOBBS & SHAW.

MISSION: IMPOSSIBLE – FALLOUT: Huw Evans – VFX Supervisor – DNEG

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In 2017, Huw Evans explained the work of DNEG on LIFE. He then worked on the new episode of MISSION: IMPOSSIBLE.

JURASSIC WORLD – FALLEN KINGDOM: James D. Fleming (VFX Supervisor) &...

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James D. Fleming started his career at Framestore and has since worked on many films such as GRAVITY, AVATAR, THE GOLDEN COMPASS, and JOHN CARTER. As a VFX Supervisor, he took care of effects for movies like MALEFICENT, THE MARTIAN, GUARDIANS OF THE GALAXY and KING ARTHUR: LEGEND OF THE SWORD. Chris Lunney joined Nvizible in 2014. He has worked on many productions such as EDGE OF TOMORROW, JASON BOURNE, FANTASTIC BEASTS AND WHERE TO FIND THEM and THE COMMUTER.

AVENGERS – INFINITY WAR: Kelly Port (VFX Supervisor) with Phil Cramer...

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In 2014, Kelly Port explained to us the work of Digital Domain on MALEFICENT. He then worked on FREE STATE OF JONES and BEAUTY AND THE BEAST. He is back in the MCU with AVENGERS: INFINITY WAR.