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ORPHAN BLACK: VFX Making of by Wired

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Mike Seymour (for Wired) explains the various techniques used by Intelligent Creatures to creates the clones of ORPHAN BLACK: © Vincent Frei – The Art...

ORPHAN BLACK – Season 4: VFX Breakdown by Intelligent Creatures

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Intelligent Creatures have released the VFX Breakdown about their work on the Season 4 of ORPHAN BLACK: © Vincent Frei – The Art of VFX...

ORPHAN BLACK Season 3: Making of

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Intelligent Creatures have released this making of by about their VFX work on the Season 3 of ORPHAN BLACK: © Vincent Frei – The Art...

ORPHAN BLACK Season 2: Making of

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Nice making of by Intelligent Creatures about their VFX work on the Season 2 of ORPHAN BLACK: © Vincent Frei – The Art of VFX...

Snowpiercer – Season 2: Geoff Scott – Overall VFX Supervisor

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Geoff Scott has over 20 years experience in visual effects. He has worked in many studios such as Toybox, Mr. X and Intelligent Creatures....

JURASSIC WORLD – FALLEN KINGDOM: David Vickery (Overall VFX Supervisor), Alex...

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In 2013, David Vickery explained the work of DNEG on FAST & FURIOUS 6. He then worked on JUPITER ASCENDING and MISSION IMPOSSIBLE: ROGUE NATION. He joined Industrial Light & Magic in 2016. Last year, Alex Wuttke told us about the DNEG's work on WONDER WOMAN and then joined ILM the same year. Jance Rubinchik began his career in 2003 and worked at Electronic Arts, Tippett Studio and Weta Digital before joining ILM in 2017. He has worked on many films such as CLOVERFIELD, AVATAR, MAN OF STEEL, DAWN OF THE PLANET OF THE APES and KONG: SKULL ISLAND.

DEADPOOL: Alex Wang – VFX Supervisor – Digital Domain

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Alex Wang started his career in the visual effects at The Orphanage on THE DAY AFTER TOMORROW. He worked on many projects before joining ImageMovers Digital for THE CHRISTMAS CAROL and MARS NEEDS MOMS. In 2010, Alex joined Digital Domain for TRON LEGACY and then worked on TRANFORMERS: DARK OF THE MOON, JACK THE GIANT SLAYER and FURIOUS 7.

DEADPOOL: Jonathan Rothbart – Production VFX Supervisor

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Jonathan Rothbart began his career in VFX at Industrial Light & Magic in 1995. He worked on films like DRAGONHEART, MEN IN BLACK or STAR WARS: EPISODE I - THE PHANTOM MENACE. In 2000, he created the studio The Orphanage with Scott Stewart and Stu Maschwitz. He will oversee the effects of many films like HERO, HELLBOY, SIN CITY or IRON MAN. In 2010, The Orphanage is closed and Jonathan becomes production side VFX Supervisor and take care of the effects of LEGION, PRIEST and AFTER EARTH.

ABRAHAM LINCOLN VAMPIRE HUNTER: Benoit Pelchat – VFX Art Director –...

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Benoît Pelchat has over 12 years experience in the VFX, he has worked at Animal Logic, Industrial Light et Magic or The Orphanage. He has participated in projects such as STAR WARS EPISODE III, IRON MAN, PIRATES OF THE CARIBBEAN: AT WORLD'S END or THE SPIRIT.

IMMORTALS: Danielle Plantec – VFX Supervisor – Scanline VFX

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Danielle Plantec is in the VFX for over 16 years. She has worked in studios as Digital Domain, Sony Imageworks, or ESC. In 2004, Danielle joined Scanline VFX and worked on films like THE DAY AFTER TOMORROW, 300 or HEREAFTER. She received a VES Award for this film. In the following interview, she talks about her work on IMMORTALS.