Jim Button and the Wild 13 - résultats de la recherche

Are you ready to fly through the air in a locomotive, discover exotic environments and face a terrible storm? Then don't miss this VFX...

Let's go for a ride at sea and much more in this VFX Breakdown showing the work of the Mackevision teams for the German...

Let's have a look at the variety of the work made by Scanline VFX on the German movie, Jim Button and the Wild 13: https://vimeo.com/563749075 ©...

In 2022, Andreas Giesen explained to us the visual effects work created by RISE on The Matrix Resurrections. He talks to us today about...

For the 4th years of The Art of VFX, I decided to offer you new content and mostly editorial contents. This first article "Look back on 2013 and the expectations for 2014" is the first step. I hope you will find it interesting.

Since his last visit here to explain the work of RISE on The Dark Tower, Florian Gellinger has taken care of many shows at...

Back in 2018, Sean Konrad explained the visual effects work done by Method Studios on Deadpool 2. He then worked on various shows su...

With over 25 years of experience, Josh Simmonds has worked on many films such as AUSTRALIA, DON'T BE AFRAID OF THE DARK, HAPPY FEET TWO and MAD MAX: FURY ROAD. As a VFX supervisor, he took care of the effects of films like THE BOY, UNDERWORLD: BLOOD WARS, A-X-L and THE BALLAD OF BUSTER SCRUGGS. Craig Wentworth started his career in visual effects in 1995. He has worked in many studios such as Weta Digital, Dreamworks Animation and Sony Pictures Imageworks before joining Method Studios in 2017. He has worked on many films like THE LORD OF THE RINGS: THE RETURN OF THE KING, WATCHMEN, EDGE OF TOMORROW and GUARDIANS OF THE GALAXY.

In 2016, Russell Earl explained the work of ILM on CAPTAIN AMERICA: CIVIL WAR. He then worked on VIRAL and THE CLOVERFIELD PARADOX. Today, he returns to the MCU with AVENGERS: INFINITY WAR.

Peter Chiang started working in visual effects at the opticals period on projects such as HIGHLANDER, LABYRINTH, or BATMAN. In 1998 he is one of the founders of Double Negative. He has since overseen an impressive number of projects such as PITCH BLACK, ENEMY AT THE GATES, THE CHRONICLES OF RIDDICK, THE BOURNE ULTIMATUM or GREEN ZONE. In the following interview, he discusses his work on JOHN CARTER.