3 Body Problem - résultats de la recherche

Get ready to embark on an unforgettable journey through the virtual universe of Netflix's 3 Body Problem as well as that intense Panama Canal...

Unveiling the visual effects behind 3 Body Problem and witness the artistry of made by the teams of El Ranchito such as the iconic...

Dive deep into the heart of the action with our exclusive behind-the-scenes footage of the Panama Canal sequence (with the VFX made by Scanline...

Step into the mind-bending world of 3 Body Problem, Netflix's excellent series with this VFX Breakdown featuring the variety of the visual effects including...

Martin Hernblad has been working at Important Looking Pirates since 2017. He has worked on projects such as LOST IN SPACE, KRYPTON, GAME OF THRONES and WATCHMEN.

In 2011, Danielle Plantec had detailed to us the work of Scanline VFX on IMMORTALS. She then worked on films such as IRON MAN 3 MAN OF STEEL or THE WOLF OF WALL STREET. In 2012, Byan Hirota talked about his work on SNOW WHITE AND THE HUNTSMAN at Pixomondo. He has moved then to Scanline VFX. Today, they explain in detail their work on the sequel of 300.

For the 4th years of The Art of VFX, I decided to offer you new content and mostly editorial contents. This first article "Look back on 2013 and the expectations for 2014" is the first step. I hope you will find it interesting.

Guy Williams had talked to us here about the visual effects of Weta Digital on THE AVENGERS a year ago. He is back with this new Marvel production and explains the many challenges on this film. Aaron Gilman started his career in animation more than 10 years ago. He worked for studios such as Meteor Studios and Tippett Studio on projects like MATRIX REVOLUTIONS, HELLBOY, CONSTANTINE or JOURNEY TO THE CENTER OF THE EARTH. He then joined Weta Digital to work on AVATAR. After that he worked on films such as THE ADVENTURES OF TINTIN, THE AVENGERS and THE HOBBIT: AN UNEXPECTED JOURNEY.

Christopher Townsend joined ILM in 1995. He stayed 11 years there and will work on projects such as CONGO, ARTIFICIAL INTELLIGENCE: AI, HULK and also the new STAR WARS trilogy. Since 2008, he is VFX supervisor and take care of movies such as JOURNEY TO THE CENTER OF THE EARTH, NINJA ASSASSIN or CAPTAIN AMERICA: THE FIRST AVENGER.

With a career spanning 35 years, Stephen Rosenbaum's journey in the realm of visual effects commenced at ILM. Throughout his tenure, he lent his...