gravity - résultats de la recherche

Few months ago, Ferran Domenech explained to us in detail about the MPC's work on A MONSTER CALLS. He also took care of the visual effects of FANTASTIC BEASTS AND WHERE TO FIND THEM. Today, he talks to us about his work on ALIEN: COVENANT.

Simone Kraus has more than 18 years of experience in animation and visual effects. She is the co-owner of Trixter and has worked on a large number of projects such as CLOUD ATLAS, THE AVENGERS, IRON MAN 3 and the CAPTAIN AMERICA trilogy. She is at the head of the Los Angeles office of Trixter. In 2016, Alessandro Cioffi told us about the Trixter's work on CAPTAIN AMERICA: CIVIL WAR. With Simone, they explains their work on the GUARDIANS OF THE GALAXY sequel.

Christian Kaestner began his career in visual effects in 2006 at The Orphanage and then joined the Framestore teams in 2007. He has worked on numerous projects such as AVATAR, GRAVITY, EDGE OF TOMORROW and PADDINGTON. With more than 16 years experience at Framestore, Stuart Penn has worked on many projects such as THE GOLDEN COMPASS, AVATAR, GRAVITY and GUARDIANS OF THE GALAXY.

In 2014, Kyle McCulloch had explained to us the work of Framestore on GUARDIANS OF THE GALAXY. He then took care of the visual effects of PAN.

Last December, Ivan Moran told us about Framestore's work on ARRIVAL. He stays in the science fiction world and explains to us today his work on GHOST IN THE SHELL.

Dennis Jones began his career in visual effects in London, working at Jim Henson's Creature Shop and Peerless Camera Company. He then joined Rising Sun Pictures in 2005 and worked on numerous films such as WATCHMEN, THE HUNGER GAMES, GRAVITY, X-MEN: DAYS OF FUTURE PAST and X-MEN: APOCALYPSE.

This month of February marks a new year for The Art of VFX and is also the Awards season. The last year was rich of...

In 2013, Bjoern Mayer explained to us the work of Pixomondo on OBLIVION. He then took care of the effects of projects such as THE HUNGER GAMES: MOCKINGJAY PART 1, MARCO POLO, TRUE DETECTIVE and THE SHANNARA CHRONICLES.

Pete Dionne has been working in the visual effects for over 16 years. He took care of the effects of many films such as THE LONE RANGER, ELYSIUM, 300: RISE OF AN EMPIRE or THE AMAZING SPIDER-MAN 2. As a VFX Supervisor, he worked on GOOSEBUMPS and then PASSENGERS.

Arnaud Brisebois began his career in visual effects in 2003. Before joining Rodeo FX in 2014, he worked at Meteor Studios and Mokko Studio. He has worked on many projects such as 300, MIRROR MIRROR, RIDDICK or X-MEN: DAYS OF FUTURE PAST. As VFX Supervisor, he took care of the effects of WARCRAFT, GODS OF EGYPT, MISS PEREGRINE'S HOME FOR PECULIAR CHILDREN and ARRIVAL.