Last year, Alex Wang explained to us about the work of Digital Domain on DEADPOOL. He then joined the teams of Double Negative and talks about his work on THE FATE OF THE FURIOUS.
Huw Evans began his career in 2006 at Double Negative. He has worked on numerous projects such as THE DARK KNIGHT, INCEPTION, MAN OF STEEL and THE HUNGER GAMES: CATCHING FIRE.
In 2015, Mark Bakowski explained to us the work of Industrial Light & Magic on SPECTRE. He then took care of the effects of DOCTOR STRANGE. He talks to us today about his work on ...
In 2016, Kelvin McIlwain explained to us about his work on CENTRAL INTELLIGENCE. Today, he talks about the new episode of the FAST & FURIOUS saga with his work on THE FATE OF THE FURIOUS.
In 2016, Guillaume Rocheron explained to us the work of MPC on BATMAN V SUPERMAN: DAWN OF JUSTICE. He talks to us today about his work as Overall VFX Supervisor on GHOST IN THE SHELL.
In 2014, Kyle McCulloch had explained to us the work of Framestore on GUARDIANS OF THE GALAXY. He then took care of the visual effects of PAN.
Prior to joining Brainstorm Digital in 2010. Eran Dinur worked at Framestore and Industrial Light & Magic. At Brainstorm Digital, he took care of the effects of BOARDWALK EMPIRE, THE IMMIGRANT, THE WOLF OF WALL ...
At the beginning of the year, Philippe Theroux explained to us the work of Hybride on ARRIVAL. He then took care of the effects of DEEPWATER HORIZON, THE GREAT WALL and ROGUE ONE: A STAR ...
Last December, Ivan Moran told us about Framestore's work on ARRIVAL. He stays in the science fiction world and explains to us today his work on GHOST IN THE SHELL.
Axel Bonami began his career in the VFX in Paris in 2001 at Duran to work on THE NEST and IMMORTAL (AD VITAM). In 2006, he joined Duboi to work on L'AUBERE ROUGE and ASTERIX ...