Last year, Andrew Hellen explained to us the work of Method Studios on THOR: RAGNAROK. He talks to us today about his work on ANT-MAN AND THE WASP.
At the beginning of the year, Kevin Souls, Brendan Seals and Raphael A. Pimentel had explained the work of Luma Pictures on BLACK PANTHER. Brendan and Raphael then worked on A WRINKLE IN TIME. They ...
In 2017, Nikos Kalaitzidis had explained the work of Digital Domain on THE FATE OF THE FURIOUS. He then worked on SPIDER-MAN: HOMECOMING, A WRINKLE IN TIME and SHADOW. Joel Behrens began his visual effects career ...
Earlier this year, Craig Hammack told us about the work of ILM on BLACK PANTHER. He talks to us today about his work and the challenges on SKYSCRAPER.
Venti Hristova started her career in visual effects in 2006. She worked on many films such as SPEED RACER, TERMINATOR SALVATION, AVATAR and IRON MAN 2. As a VFX Supervisor, she took care of the ...
Alessandro Ongaro began his career in visual effects in 1998. He has worked on many films such as CONSTANTINE, HOW TO TRAIN YOUR DRAGON, KUNG FU PANDA 3 and MISS PEREGRINE’S HOME FOR PECULIAR CHILDREN. ...
In 2013, Sara Bennett explained the work of Milk Visual Effects on THE MISERABLES. She then worked on many films such as DRACULA UNTOLD, THE MARTIAN, FANTASTIC BEASTS AND WHERE TO FIND THEM, ASSASSIN'S CREED ...
James D. Fleming started his career at Framestore and has since worked on many films such as GRAVITY, AVATAR, THE GOLDEN COMPASS, and JOHN CARTER. As a VFX Supervisor, he took care of effects for ...
Earlier this year, Salvador Zalvidea explained the work of Cinesite on MUTE. He talks to us today about his work on ADRIFT.
Pietro Ponti started his career in visual effects in 2004. He has worked on many films like 10’000 BC, THE DARK KNIGHT, TERMINATOR GENISYS and FANTASTIC BEASTS AND WHERE TO FIND THEM. What is your ...