Tag: VFX Producer
Last year, James Etherington-Sparks, explained in detail the work of Union VFX on The Gentlemen. He then worked on the Black Narcissus series and...
In 2014, Dan Levitan told us about the work of Hammerhead on The Expendables 3 and then worked at Psyop and FuseFX on a...
Andrew Scrase started his career in visual effects in 2007 at DNEG. He then worked at One of Us before joining Framestore in 2019. He has worked on various shows including KICK-ASS, INTERSTELLAR, PACIFIC RIM: UPRISING and ALADDIN. Standish Millennas began working in VFX in 2007 at Machine. She then joined Prime Focus and One of Us then Framestore in 2019. She has worked on projects such as ROBIN HOOD, THE EAGLE, THE OA and TOLKIEN.
Grant Walker began his career in visual effects in 2006 at The Mill. He then joined MPC in 2009 before joining Framestore in 2010.
Randall Balsmeyer has been working in visual effects for 40 years! He has worked on many films including GHOST, DEAD MAN, THE ADJUSTMEN BUREAU and BLACKKKANSMAN. He talks to us today about his new collaboration with director Spike Lee.
In 2018, Adrian de Wet explained his work on THE MEG. He's back today with the post-apocalyptic Apple TV+ series, SEE: Eve Fizzinoglia began her career in visual effects in 2009 at Stargate Studios. She has worked on a many shows including CALIFORNICATION, HOUSE OF LIES, RAY DONOVAN and COLONY.
In 2019, Nhat Phong Tran told us about the work of Pixomondo on the second season of THE ORVILLE. He then worked on EUPHORIA. A few months ago, Phi Van Le told us about his work on MIDWAY. He then worked on FOR ALL MANKIND and WATCHMEN.
Jabbar Raisani has been working in visual effects for over 17 years. He has worked on projects such as FANTASTIC FOUR, PREDATORS, MACHETE and GAME OF THRONES. Terron Pratt began his career in VFX in 2003 at Digiscope. He has worked on numerous projects such as PUSHING DAISIES, SNOW WHITE AND THE HUNTSMAN, 300: RISE OF AN EMPIRE and BLACK SAILS.
The team of Pixomondo composed of Derek Spears (VFX Supervisor), Tefft Smith II (Head of Visualization) and Phi Van Le (VFX Producer) talk about their work on MIDWAY.
Carlos Ciudad began his career in visual effects at Framestore in 2013. He then worked at MPC and joined the teams of DNEG in 2017. He has worked on many films such as THE JUNGLE BOOK, ALIEN: COVENANT, VENOM and CAPTAIN MARVEL.