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JURASSIC WORLD – FALLEN KINGDOM: Pietro Ponti – VFX Supervisor –...

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Pietro Ponti started his career in visual effects in 2004. He has worked on many films like 10'000 BC, THE DARK KNIGHT, TERMINATOR GENISYS...

DEADPOOL 2: Sean Konrad (VFX Supervisor) & John Likens (Creative Director)...

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Sean Konrad began his career in visual effects in 2000. He worked in several studios like Prime Focus, Zoic Studios and MPC before joining Method Studios in 2016. He worked on films such as TRON: LEGACY, GODZILLA, GUARDIANS OF THE GALAXY and JUSTICE LEAGUE. John Likens began his career in motion design 10 years ago. He works in many agencies like Perception NYC, The Mill and Blind before joining Method Studios in 2014.

AVENGERS – INFINITY WAR: Graham Page – VFX Supervisor – DNEG

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Graham Page began his visual effects career in 2006 at DNEG. He has worked on many projects such as THE DARK KNIGHT, INCEPTION, INTERSTELLAR and ASSASSIN'S CREED.

PACIFIC RIM – UPRISING: Peter Eszenyi – VFX Supervisor and Creative...

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After working for several years in various agencies and as freelance, Peter Eszenyi joined Territory Studio in 2012. He works on many projects such as GUARDIANS OF THE GALAXY, EX MACHINA, GHOST IN THE SHELL and BLADE RUNNER 2049.

PACIFIC RIM – UPRISING: Jedediah Smith – Compositing Supervisor – Atomic...

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Jedediah Smith joined Atomic Fiction in 2013 to work on STAR TREK INTO DARKNESS as a compositing artist. He then works on many films such as THE WALK, DEADPOOL, ALLIED and BLADE RUNNER 2049.

16th Annual VES Awards: The Nominations

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The nominations for the 16th Annual VES Awards have just been announced! OUTSTANDING VISUAL EFFECTS IN A PHOTOREAL FEATURE Blade Runner 2049 John Nelson Karen Murphy...

KINGSMAN – THE GOLDEN CIRCLE: Fabio Zangla (CG Supervisor) & Chris...

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Fabio Zangla has more than 10 years experience in visual effects. He worked in numerous studios like MPC, Double Negative and Weta Digital before joining Framestore in 2016. His filmography includes projects such as AVATAR, HUGO, JOHN CARTER or INTERSTELLAR. Chris Zeh began his career in VFX in 2000. He worked at Cinesite, Rainmaker UK, Weta Digital and Framestore. His filmography is composed of many projects such as THE LORD OF THE RINGS: THE RETURN OF THE KING, THE GOLDEN COMPASS, THE DARK KNIGHT, GRAVITY or GUARDIANS OF THE GALAXY.

LIFE: Huw Evans – VFX Supervisor – Double Negative

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Huw Evans began his career in 2006 at Double Negative. He has worked on numerous projects such as THE DARK KNIGHT, INCEPTION, MAN OF STEEL and THE HUNGER GAMES: CATCHING FIRE.

15th Annual VES Awards: The nominees

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The Visual Effects Society have just announced the nominees for the 15th Annual VES Awards: Outstanding Visual Effects in a Photoreal Feature DOCTOR STRANGE...

FANTASTIC BEASTS AND WHERE TO FIND THEM: Arnaud Brisebois – VFX...

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Arnaud Brisebois began his career in visual effects in 2003. Before joining Rodeo FX in 2014, he worked at Meteor Studios and Mokko Studio. He has worked on many projects such as 300, MIRROR MIRROR, RIDDICK or X-MEN: DAYS OF FUTURE PAST. As VFX Supervisor, he took care of the effects of WARCRAFT, GODS OF EGYPT, MISS PEREGRINE'S HOME FOR PECULIAR CHILDREN and ARRIVAL.