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After studying at the School of Art and Design of Zurich, Raffael Dickreuter joined the team of Pixel Liberation Front. He worked in many projects such as SUPERMAN RETURNS, TERMINATOR SALVATION, IRON MAN 2 or AVATAR. In 2002, he founded the reference site XSI Base.

Digic Pictures became known by working on the effects of TERMINATOR 3: RISE OF THE MACHINES. They then conducted numerous cinematic games like ARMIES OF EXIGO, WARHAMMER or DRAGON AGE 2. And of course, the impressive cinematics for the last three ASSASSIN'S CREED. In the following interview, the team Digic Pictures tell us about his work on ASSASSIN'S CREED REVELATIONS.

Little change of plans, Matthew Butler will finally not have time to answer my questions. Here is anyway a text about the impressive work of Matthew Butler and his team of Digital Domain on TRANSFORMERS: DARK OF THE MOON.

Robert Nederhorst worked since 10 years in the VFX. He has participated on projects like X-MEN, THE DAY AFTER TOMORROW or THE BOOK OF ELI. He joined Svengali FX in 2010 and oversees the effects of IRON MAN 2 and THE LAST AIRBENDER. In the following interview, he talks about his work on PRIEST.

Brendan Taylor began his career as on-set assistant for the series HELEN OF TROY. In 2004, he joined Mr. X and participates in projects such as 16 BLOCKS and SILENT HILL as VFX coordinator. Thereafter, it continues to be present on set for movies like SHOOT 'EM UP and WHITEOUT and VFX supervisor for LUST CAUTION or TAKING WOODSTOCK.

Nicolas Aithadi is back on The Art of VFX. After spoken of HARRY POTTER AND THE HALF-BLOOD PRINCE, he talks now about his work on X-MEN FIRST CLASS.

After several years of freelance, Thilo Ewers joined the team of Pixomondo in 2008. He has worked on films such as NINJA ASSASSIN, 2012 or THE LAST AIRBENDER. In the following interview, he discusses his work on SUCKER PUNCH.

Paul Butterworth has worked at Animal Logic in 1993 as compositing artist and later became the first Australian VFX supervisor! He also directed numerous commercials and do a lot of matte paintings. In 1998, he oversee 1300 shots in 8 months for the TV series FARSCAPE. In 2000, he founded with Dave Morley, Andrew Hellen, Simon Maddison and Jason Bath, the studio Fuel VFX. He oversaw the effects of X-MEN ORIGINS: WOLVERINE and is currently working on Ridley Scott's PROMETHEUS. In the following interview, he talks about his work on THOR.

Jonathan Harb began his career as a production assistant in the art department at ILM in 1996, he later became concept artist, matte painter, supervisor of the matte painting department and VFX supervisor. At ILM, he worked on such films as MEN IN BLACK I and II, the new STAR WARS trilogy, THE PERFECT STORM, or I.A. In 2007, he founded Whiskytree and oversaw the effects of movies like TERMINATOR SALVATION or TRON LEGACY. In the following interview, he talks about his work on THOR.

Eric Fernandes has worked in many studios such as Industrial Light and Magic, Weta Digital or Dreamworks Animation and Digital Domain. He has worked on such films as STAR WARS EPISODE II: ATTACK OF THE CLONES, LORD OF THE RINGS: THE TWO TOWERS and RETURN OF THE KING but also on KUNG FU PANDA and AVATAR.