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ROBIN HOOD: VFX Breakdown by Cinesite

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Interested to know how Cinesite recreated Nottingham and the various action sequences for ROBIN HOOD? Have a look at this VFX Breakdown: WANT TO KNOW...

ROBIN HOOD

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Here is the final trailer for ROBIN HOOD: The VFX are made by: Cinesite (VFX Supervisor: Aleksandar Pejic) BlueBolt (VFX Supervisors: Angela Barson and Henry Badgett) Goodbye Kansas...

ROBIN HOOD: Richard Stammers – VFX Supervisor – The Moving Picture...

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After starting his career in 1992 at Animal Logic, Richard Stammers joined MPC in 1995. He participates in many projects of the studio and work as vfx supervisor on such movies as WIMBLEDON, THE DA VINCI CODE and its sequel ANGELS & DEMONS or ELIZABETH: THE GOLDEN AGE. In the following interview, he talks about his work on ROBIN HOOD.

The Last Duel: Kristina Prilukova (VFX Producer), Romain Bavent (Compositing Supervisor),...

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From August 2020 to April 2021, the Parisian teams of MPC Film & Episodic (formerly Mikros VFX) crafted 230 shots on Ridley Scott's latest...

THE CROWN – Season 4: Andrew Scrase (VFX Supervisor) & Standish...

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Andrew Scrase started his career in visual effects in 2007 at DNEG. He then worked at One of Us before joining Framestore in 2019. He has worked on various shows including KICK-ASS, INTERSTELLAR, PACIFIC RIM: UPRISING and ALADDIN. Standish Millennas began working in VFX in 2007 at Machine. She then joined Prime Focus and One of Us then Framestore in 2019. She has worked on projects such as ROBIN HOOD, THE EAGLE, THE OA and TOLKIEN.

THE WITCHER: Aleksandar Pejic – VFX Supervisor – Cinesite

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In 2016, Aleksandar Pejic explained the work of Framestore on THE LEGEND OF TARZAN. He then joined Cinesite and worked on AVENGERS: INFINITY WAR and ROBIN HOOD.

AVENGERS – ENDGAME: Simon Stanley-Clamp – VFX Supervisor – Cinesite

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In 2014, Simon Stanley-Clamp had explained to us the work of Cinesite on HERCULES. He then worked on many films such as ANT-MAN, THE REVENANT, CAPTAIN AMERICA: CIVIL WAR and ROBIN HOOD.

THE NUTCRACKER AND THE FOUR REALMS: Max Wood – Overall VFX...

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Max Wood began his career in visual effects in 2003 at MPC. He works on films like WATCHMEN, ROBIN HOOD, WORLD WAR Z and 300: RISE OF AN EMPIRE. As a VFX supervisor, he took care of the effects of films such as SAN ANDREAS, ZOOLANDER 2 and SUICIDE SQUAD.

GHOST IN THE SHELL: Axel Bonami – VFX Supervisor – MPC

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Axel Bonami began his career in the VFX in Paris in 2001 at Duran to work on THE NEST and IMMORTAL (AD VITAM). In 2006, he joined Duboi to work on L'AUBERE ROUGE and ASTERIX AT THE OLYMPIC GAMES. In 2008, he joined MPC and worked on numerous projects such as ROBIN HOOD, DARK SHADOWS, GODZILLA and X-MEN: APOCALYPSE.

X-MEN – DAYS OF FUTURE PAST: Richard Stammers – Production VFX...

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In 2010, Richard Stammers had explained to us the work of MPC on ROBIN HOOD, he then oversaw the effects of PROMETHEUS and THE COUNSELOR. Today he explains his work on his first superhero movie.