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THE FATE OF THE FURIOUS: Jonathan Weber – VFX Supervisor –...

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Jonathan Weber began his career in the visual effects in 2007 by joining RISE. He works on numerous projects such as NINJA ASSASSIN, CLOUD ATLAS, CAPTAIN AMERICA: CIVIL WAR or THE MAN FROM U.N.C.L.E. As VFX Supervisor, he took care of the effects of THE BOOK THIEF, BORGIA and THE FATE OF THE FURIOUS.

THE FATE OF THE FURIOUS: Jay Barton (VFX Supervisor) & Nikos...

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In 2012, Jay Barton explained to us the work of Digital Domain on ROCK OF AGES. He then worked on 47 RONIN, INTO THE STORM and FURIOUS SEVEN. Nikos Kalaitzidis began his career at Digital Domain in 1995. He has worked on numerous projects such as TITANIC, THE CURIOUS CASE OF BENJAMIN CUTTON, TRON LEGACY, 47 RONIN and X-MEN: DAYS OF FUTURE PAST.

THE FATE OF THE FURIOUS: Alex Wang – VFX Supervisor –...

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Last year, Alex Wang explained to us about the work of Digital Domain on DEADPOOL. He then joined the teams of Double Negative and talks about his work on THE FATE OF THE FURIOUS.

BEAUTY AND THE BEAST: Kyle McCulloch – VFX Supervisor – Framestore

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In 2014, Kyle McCulloch had explained to us the work of Framestore on GUARDIANS OF THE GALAXY. He then took care of the visual effects of PAN.

GHOST IN THE SHELL: Axel Bonami – VFX Supervisor – MPC

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Axel Bonami began his career in the VFX in Paris in 2001 at Duran to work on THE NEST and IMMORTAL (AD VITAM). In 2006, he joined Duboi to work on L'AUBERE ROUGE and ASTERIX AT THE OLYMPIC GAMES. In 2008, he joined MPC and worked on numerous projects such as ROBIN HOOD, DARK SHADOWS, GODZILLA and X-MEN: APOCALYPSE.

A CURE FOR WELLNESS: Tom Proctor – VFX Supervisor – Double...

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Tom Proctor began his career as a compositor on THE MATRIX at Manex Visual Effects. He worked in many studios such as Weta Digital, Evil Eye Pictures or Rising Sun Pictures before joining Double Negative in 2010.

THE GREAT WALL: Samir Hoon – VFX Supervisor – Industrial Light...

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Samir Hoon began his career in VFX at R/Greenberg Associates in 1993. He joined Industrial Light & Magic in 1995. He has worked on numerous projects such as TERMINATOR 3: RISE OF THE MACHINES, ERAGON, STAR TREK INTO DARKNESS or HITMAN: AGENT 47.

Best of 2016 and the expectations for 2017

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This month of February marks a new year for The Art of VFX and is also the Awards season. The last year was rich of...

ASSASSIN’S CREED: Christian Irles – VFX Supervisor – Cinesite

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In 2015, Christian Irles explained in detail about the work of MPC on INTO THE WOODS. He then took care of the visual effects of PAN and MISS PEREGRINE'S HOME FOR PECULIAR CHILDREN. He joined Cinesite in 2016 and worked on ASSASSIN'S CREED.

ROGUE ONE – A STAR WARS STORY: Margaux Durand-Rival – Previs...

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Margaux Durand-Rival explained to us the work of The Third Floor on EDGE OF TOMORROW in 2014. She then worked on numerous projects such as DRACULA UNTOLD, PADDINGTON, EXODUS: GODS AND KINGS and MISSION IMPOSSIBLE: ROGUE NATION.