iron man 3 - résultats de la recherche

In 2013, Alex Pejic explained the work of Prime Focus on WHITE HOUSE DOWN. He then worked on HERCULES before joining Framestore in 2014. Kevin Spruce has worked at Framestore for over 15 years. His credits include THE CHRONICLES OF NARNIA: PRINCE CASPIAN, AUSTRALIA, WHERE THE WILD THINGS ARE and GUARDIANS OF THE GALAXY.

Jeff White explained to us about the work of ILM in 2012 on THE AVENGERS. Then he worked on TRANSFORMERS: AGE OF EXTINCTION. He explains in detail today his work on WARCRAFT.

Jay Redd started his career at Rhythm & Hues before joining Sony Pictures Imageworks in 1996 to work on CONTACT. As VFX supervisor, Jay took care of the effects of films like THE HAUNTED MANSION, MONSTER HOUSE or MEN IN BLACK 3.

In 2013, Hal Hickel had explained in detail about the work of ILM on PACIFIC RIM. He then moved from the giant robots to...

Jerome Escobar began his career in the VFX in 2005 at nWave Digital as an FX artist. In 2010, he joined Animal Logic to work on LEGEND OF THE GUARDIANS: THE OWLS OF GA'HOOLE. He then joined MPC and works on films like MAN OF STEEL, MALEFICENT or X-MEN: DAYS OF FUTURE PAST.

Vincent Cirelli worked on many Marvel productions. In 2014, he talked to us about the Luma Pictures work on THOR: THE DARK WORLD. Then he worked on GUARDIANS OF THE GALAXY, AVENGERS: AGE OF ULTRON and ANT-MAN. He also oversaw the effects of IN THE HEART OF THE SEA and DEADPOOL.

Last year, Florian Gellinger had explained to us the work on Rise FX on THE MAN FROM U.N.C.L.E. He then worked on HITMAN: AGENT 47 and MANIFESTO. CAPTAIN AMERICA: THE CIVIL WAR is his second collaboration with the Russo brothers.

In 2014, Russell Earl had explained to us the work of ILM on CAPTAIN AMERICA: THE WINTER SOLDIER. He then worked on another Marvel movie, ANT-MAN. Today, he talks about his new collaboration with the Russo brothers on CAPTAIN AMERICA: CIVIL WAR.

Adam Valdez talked to us in 2012 about the work of MPC on JOHN CARTER. Then he worked on WORLD WAR Z and MALEFICENT. Today, he explains in detail about the impressive work on THE JUNGLE BOOK.

Mark Stetson has a long career in special and visual effects. He started working on the models of films such as BLADE RUNNER, GHOSTBUSTERS, 2010 or DIE HARD. THE FIFTH ELEMENT is his first film as Overall VFX supervisor. In 2010, he joined the teams of Zoic Studios as Senior VFX Supervisor.