iron sky 2 - résultats de la recherche

Bryan Hirota worked for nearly 20 years in visual effects. He has worked at Rhythm and Hues, CIS Hollywood and recently at Prime Focus. His career includes numerous films such as DEMOLITION MAN, ARMAGEDDON or END OF DAYS. He oversaw films like MATRIX REVOLUTIONS, ERAGON or WATCHMEN.

Ben Shepherd works for over 10 years in visual effects, he participated in many projects such as BIG FISH, HARRY POTTER AND THE GOBLET OF FIRE, and TIM BURTON'S CORPSE BRIDE at MPC. In 2006, he joined Cinesite teams where he oversaw films such as X-MEN: THE LAST STAND, THE DAY THE EARTH STOOD STILL or 2 episodes of the TV series THE PRISONER.

After a first interview for LEGION, Jeff Campbell is back on The Art of VFX with a new movie for Spin VFX. In the following interview, he talks about his work on BATTLE LOS ANGELES.

After working several years in Mexico and Latin America, Charlie Iturriaga and Ollin Studio began a long collaboration with David Fincher working on ZODIAC, THE CURIOUS CASE OF BENJAMIN BUTTON and THE SOCIAL NETWORK. At their credits, there are also the visual effects of THE SPIRIT, LET ME IN and THE LAST AIRBENDER.

Danny Yount, Creative Director at Prologue Films, accompanied by Daniel Klohn and Miles Laurisden talks about their work on TRON LEGACY. Prologue is a studio specializing in the design of film credits and motion design. They worked on films such as IRON MAN 2, THE LOSERS or SHERLOCK HOLMES and TV show like THE WALKING DEAD.

After several years at Zoic Studios as a TD and engineer, Justin Ball joined the team at Brainstorm Digital. He participated in many projects such as BURN AFTER READING, DUPLICITY or THE ROAD. It also oversees the effects of several films like BROOKLYN'S FINEST, or LETTERS TO JULIET and THE ADJUSTMENT BUREAU.

After several years of freelance work, Frazer Churchill joined Double Negative which is one of the founders. He participated in many projects such as PITCH BLACK, BELOW or ENEMY AT THE GATES. In 2001, he became supervisor and handles the visual effects of DOOM, SAHARA or CHILDREN OF MEN.

Adam Valdez began his career at Tippett Studio in 1990 where he worked on great projects such as JURASSIC PARK or STARSHIP TROOPERS. After a transit at PDI, he joined the team at Weta Digital working on the first two LORD OF THE RINGS. In 2004, he moved to London and worked since then at MPC.

After working several years with H5B5 and FrameFx, Holger Voss joined Cinesite in 2003 where he worked on a wide variety of projects for film such as THE GOLDEN COMPASS, MOON or V FOR VENDETTA but also on TV series like GENERATION KILL.

Jacob Otterström worked at Filmgate for more than 4 years. He has participated on movies such as THE COTTAGE, EDEN LAKE or THE DESCENT Part 2.