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Back in 2013, Laurens Ehrmann explained the visual effects work on The Smurfs 2. He then went on to work on projects like Ford...

Back in 2020, David Sewell explained the work of DNEG on the Cursed series. He's back to talk about another series and MPC's work. Oliver...

Shaun Roth has been working in visual effects for over 15 years. Before joining ILM in 2020, he worked at Zoic Studios and DNEG....

After telling us about the visual effects work created by East Side Effects for The Ballad of Buster Scruggs in 2018, Alex Lemke and...

Back in 2020, Julian Parry explained the creation of the visual effects for the first season of The Witcher. Today he talks to us...

Back in 2019, Christopher Townsend explained in detail the visual effects work for Captain Marvel. Today he returns to tell us about his...

In 2019, Marcus Taormina told us about his work on Bird Box. He then took care of the visual effects for The Tax Collector....

Doug Larmour began his career in visual effects in 1999 at MPC. He has also worked at Weta Digital and One of Us. He has worked on a number of films including PROMETHEUS, GUARDIANS OF THE GALAXY, THE JUNGLE BOOK and VENOM.

Jonathan Harris began his career in visual effects in 2006. He works in many studios such as Important Looking Pirates, DNEG, Weta Digital and in 2018, he founded his studio, Dupe. He has worked on films such as KICK-ASS, IRON MAN 2, MAN OF STEEL and AVENGERS: THE AGE OF ULTRON. In 2013, Paddy Eason explained the work of Nviz on GRABBERS. He then worked on many films such as ROBOT OVERLORDS, ABSOLUTELY ANYTHING, KINGSMAN: THE GOLDEN CIRCLE and JESUS SHOWS YOU THE WAY TO THE HIGHWAY.

The team of Pixomondo composed of Derek Spears (VFX Supervisor), Tefft Smith II (Head of Visualization) and Phi Van Le (VFX Producer) talk about their work on MIDWAY.