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A few months ago, Ara Khanikian explained to us the work of Rodeo FX on JACK THE GIANT SLAYER. Today he talks about the magical effects for NOW YOU SEE ME.

During his last visit, Roger Guyett explained to us the work of ILM on COWBOYS & ALIENS. In 2013, he is back with director JJ Abrams on STAR TREK INTO DARKNESS. In addition to its Overall VFX Supervisor job position, he is the Second unit director as he was on the previous STAR TREK movie.

Last year, David Vickery explained the work of Double Negative on THE PIRATES! BAND OF MISFITS. This time he talks about crazy car chases, giant airplane and CG cars for FAST & FURIOUS 6.

Koen Vroeijenstijn worked in the video game at Guerrilla Games before coming to the U.S. and joining DreamWorks Animation. He worked on projects such as KUNG FU PANDA, MEGAMIND or RISE OF THE GUARDIANS. He then joined Image Engine to work on ELYSIUM.

Since his last visit on The Art of VFX for THE THREE MUSKETEERS, Ara Khanikian worked on films like IMMORTALS, UNDERWORLD: AWAKENING, RED TAILS or MIRROR MIRROR.

Isabelle Perin-Leduc began her career in visual effects at BUF in 2003. She has worked on many commercials before moving on feature films such as the trilogy of ARTHUR AND THE INVISIBLES, MR. MAGORIUM'S WONDER EMPORIUM, BE KIND REWIND or SPEED RACER.

Bjørn Mayer began his career in visual effects more than 10 years ago. He worked at Pixomondo on films such as RED BARON, 2012, RED TAILS or HUGO.

Since his last appearance on The Art of VFX where he told us about the VFX of Method Studios on J. EDGAR, Ollie Rankin worked on RED DAWN.

Bill George began his career in visual effects as a model maker in 1979 on STAR TREK: THE MOTION PICTURE. After completing his work on BLADE RUNNER, he joined ILM in 1981. He created models for many films such as STAR WARS: EPISODE IV - RETURN OF THE JEDI, INNERSPACE or GHOSTBUSTERS II. In 1997, he became a visual effects supervisor and take care of many films like GALAXY QUEST, HARRY POTTER AND THE CHAMBER OF SECRETS, EVAN ALMIGHTY or I AM NUMBER FOUR.

Westley Sarokin worked for 5 years as an Flame artist at a52. In 2005, he joined The Mill as Joint Head of 2D. In the following interview, he explains his work for the VFX supervision of the VIKINGS main title. He is, for it, accompanied by Danny Morris, Lead Flame Artist.