Iron Man 2 - résultats de la recherche

Bryan Hirota worked for nearly 20 years in visual effects. He has worked at Rhythm and Hues, CIS Hollywood and recently at Prime Focus. His career includes numerous films such as DEMOLITION MAN, ARMAGEDDON or END OF DAYS. He oversaw films like MATRIX REVOLUTIONS, ERAGON or WATCHMEN.

Jody Johnson went through all stages at Double Negative. She begins with roto and the compositing on STALINGRAD, STARDUST or SHAUN OF THE DEAD. Then compositing supervisor and finally VFX supervisor for movies like PENELOPE or BRIDGET JONES: THE EDGE OF REASON.

Ben Shepherd works for over 10 years in visual effects, he participated in many projects such as BIG FISH, HARRY POTTER AND THE GOBLET OF FIRE, and TIM BURTON'S CORPSE BRIDE at MPC. In 2006, he joined Cinesite teams where he oversaw films such as X-MEN: THE LAST STAND, THE DAY THE EARTH STOOD STILL or 2 episodes of the TV series THE PRISONER.

After a first interview for LEGION, Jeff Campbell is back on The Art of VFX with a new movie for Spin VFX. In the following interview, he talks about his work on BATTLE LOS ANGELES.

Anders Beer began his animator career in 1996 at Dreamworks SKG, he then worked in many studios like Banned from the Ranch, Digital Domain and Sony Imageworks. He has participated on movies such as SPAWN, LAKE PLACID, OPEN SEASON or REIGN OF FIRE. At Double Negative, he supervised the animation of the Tooth Fairies sequence on HELLBOY 2.

Having worked in all areas of visual effects at Prime Focus and Frantic Films, Chris Harvey become VFX supervisor and works on movies such as JOURNEY TO THE CENTER OF THE EARTH, GI JOE: RISE OF THE COBRA and THE A-TEAM. He also works as a stereo consultant for movies like AVATAR.

Blair Clark began his career on the film GREMLINS, then joined ILM, where he met Phil Tippett. He will work especially YOUNG SHERLOCK HOLMES, WILLOW or INDIANA JONES AND THE LAST CRUSADE. For nearly 25 years he worked at Tippett Studio, he oversees the effects of such films as BLADE 2, HELLBOY or SPIDERWICK CHRONICLES.

After talking about THE GREEN HORNET, Vincent Cirelli and his team are back. This time, they talk about their invisible work on the western TRUE GRIT.

Before joining Luma Pictures in 2003, Vincent Cirelli worked at Stan Winston Studios as technical director. At Luma, he oversaw movies such as NO COUNTRY FOR OLD MEN, HANCOCK, HARRY POTTER AND THE HALF-BLOOD PRINCE or WOLVERINE.

Bryan Grill evolves in visual effects for over 20 years. After working for 14 years at Digital Domain starting as Flame operator to finish as a VFX supervisor, he oversaw such projects as THE GOLDEN COMPASS, PIRATES OF THE CARIBBEAN 3 or G.I. JOE. He joined the teams of Scanline VFX in 2010.