iron man - résultats de la recherche

Eric Leven began his career in VFX and at Tippett Studio on STARSHIP TROOPERS. He has participated in many projects such as ARMAGGEDON or HOLLOW MAN. As VFX supervisor, he took care of movies like CLOVERFIELD, SEASON OF THE WITCH or THE TWILIGHT SAGA: ECLIPSE.

Laurent Spillemaecker began his career in VFX nearly 10 years ago in Paris as a freelance Flame artist. He then joined the teams of Hybride and worked on many projects such as SIN CITY and 300. In 2008, he joined Rodeo FX and worked on films like SOURCE CODE, IMMORTALS or MIRROR MIRROR.

Arundi Asregadoo is back on The Art of VFX. After he had talked about the effects on DARK SHADOWS, he explains the work of MPC on the final sequence of SKYFALL.

Since he explained the effects of Tippett Studio on SEASON OF THE WITCH, Blair Clark worked on films like PRIEST and THE SMURFS.

Ryan Tudhope worked for The Orphanage and ImageMovers Digital on projects like HELLBOY, SIN CITY, PIRATES OF THE CARIBBEAN: DEAD MAN'S CHEST or MARS NEEDS MOMS. In 2011, he founded Atomic Fiction with Kevin Baillie and supervises the effects of films like JACK AND JILL and UNDERWORLD AWAKENING.

Paul and Christina Graff are the founders of Crazy Horse Effects. Before that they worked on many projects at Digital Backlot such as THERE WILL BE BLOOD, THE AVIATOR or TROPIC THUNDER. In the following interview, they talk about their collaboration with director Oliver Stone.

RESIDENT EVIL RETRIBUTION is the largest project made at Mr .X and they won't be too much of two to explain their work on the visual effects of this show. Eric Robinson is back on The Art of VFX after telling us his work on THE THREE MUSKETEERS and is accompanied by Ethan Lee.

Anton Yri began working in the VFX on BATMAN BEGINS at The Senate VFX in 2005. It has since remained in the studio and has participated in numerous films like THE DA VINCI CODE, HELLBOY II: THE GOLDEN ARMY or KICK ASS and also on TV shows like ROME, FLASH FORWARD or LUTHER.

Jon Thum works in visual effects for over 20 years. He worked in London, Australia and the USA. He has participated in projects like DARK CITY, THE MATRIX, PITCH BLACK or TROY. He won an Oscar for Best Visual Effects for THE MATRIX.

After explaining the MPC work on PROMETHEUS, Charley Henley is back on The Art of VFX. It details his work on TOTAL RECALL.