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Mat Beck began his career over 30 years. He has worked for prestigious studios like Apogee, Boss Film or Dream Quest Images. His career includes numerous films such as STAR TREK, TRUE LIES, TITANIC or VOLCANO but he also worked on many TV shows like X-FILES or SMALLVILLE. At Entity FX, he oversaw projects like SPIDER-MAN 2, FINAL DESTINATION 4 and THE SPIRIT.

Since his interview about PERCY JACKSON, Guillaume Rocheron worked on SUCKER PUNCH. In the following interview, he talks about his work on this show.

Jody Johnson went through all stages at Double Negative. She begins with roto and the compositing on STALINGRAD, STARDUST or SHAUN OF THE DEAD. Then compositing supervisor and finally VFX supervisor for movies like PENELOPE or BRIDGET JONES: THE EDGE OF REASON.

Ben Shepherd works for over 10 years in visual effects, he participated in many projects such as BIG FISH, HARRY POTTER AND THE GOBLET OF FIRE, and TIM BURTON'S CORPSE BRIDE at MPC. In 2006, he joined Cinesite teams where he oversaw films such as X-MEN: THE LAST STAND, THE DAY THE EARTH STOOD STILL or 2 episodes of the TV series THE PRISONER.

Anders Beer began his animator career in 1996 at Dreamworks SKG, he then worked in many studios like Banned from the Ranch, Digital Domain and Sony Imageworks. He has participated on movies such as SPAWN, LAKE PLACID, OPEN SEASON or REIGN OF FIRE. At Double Negative, he supervised the animation of the Tooth Fairies sequence on HELLBOY 2.

Greg Oehler worked at CIS Hollywood for over 15 years and has participated in many projects such as TITANIC, THE BOURNE ULTIMATUM, WATCHMEN or INVICTUS.

After talking about THE GREEN HORNET, Vincent Cirelli and his team are back. This time, they talk about their invisible work on the western TRUE GRIT.

Jamie Dixon is a true pioneer in the world of visual effects. He was one of the first employees at Pacific Data Images in 1985. His wire removal on TERMINATOR 2 was one of the first and same thing about the morphing on the faces for the music video BLACK & WHITE of Michael Jackson. He founded Hammerhead in 1995, with Dan Chuba, Thad Beier and Rebecca Marie, and work on many films such as TRUE LIES, TITANIC, X-MEN, THE CHRONICLES OF RIDDICK or WANTED.

After working several years in Mexico and Latin America, Charlie Iturriaga and Ollin Studio began a long collaboration with David Fincher working on ZODIAC, THE CURIOUS CASE OF BENJAMIN BUTTON and THE SOCIAL NETWORK. At their credits, there are also the visual effects of THE SPIRIT, LET ME IN and THE LAST AIRBENDER.

Danny Yount, Creative Director at Prologue Films, accompanied by Daniel Klohn and Miles Laurisden talks about their work on TRON LEGACY. Prologue is a studio specializing in the design of film credits and motion design. They worked on films such as IRON MAN 2, THE LOSERS or SHERLOCK HOLMES and TV show like THE WALKING DEAD.