Iron Man 3 - résultats de la recherche

After explaining to us about the work of Method Studios on THE GIVER in 2014, Mark Breakspear joined Sony Pictures Imageworks. He handled the visual effects of AMERICAN SNIPER and then SUICIDE SQUAD.

Last year, Francois Dumoulin talked to us about the work of Rodeo FX on FANTASTIC FOUR. He then worked on IN THE HEART OF THE SEA. After THE LEGEND OF TARZAN which he explains his work today, he is now working on VALERIAN AND THE CITY OF A THOUSAND PLANETS.

In 2014, Bryan Grill had told us in detail about the work of Scanline VFX on CAPTAIN AMERICA - THE WINTER SOLDIER. He then worked on SAN ANDREAS. Today he explains his work on INDEPENDENCE DAY RESURGENCE.

In 2013, Alex Pejic explained the work of Prime Focus on WHITE HOUSE DOWN. He then worked on HERCULES before joining Framestore in 2014. Kevin Spruce has worked at Framestore for over 15 years. His credits include THE CHRONICLES OF NARNIA: PRINCE CASPIAN, AUSTRALIA, WHERE THE WILD THINGS ARE and GUARDIANS OF THE GALAXY.

Jeff White explained to us about the work of ILM in 2012 on THE AVENGERS. Then he worked on TRANSFORMERS: AGE OF EXTINCTION. He explains in detail today his work on WARCRAFT.

Jay Redd started his career at Rhythm & Hues before joining Sony Pictures Imageworks in 1996 to work on CONTACT. As VFX supervisor, Jay took care of the effects of films like THE HAUNTED MANSION, MONSTER HOUSE or MEN IN BLACK 3.

In 2013, Hal Hickel had explained in detail about the work of ILM on PACIFIC RIM. He then moved from the giant robots to...

Jerome Escobar began his career in the VFX in 2005 at nWave Digital as an FX artist. In 2010, he joined Animal Logic to work on LEGEND OF THE GUARDIANS: THE OWLS OF GA'HOOLE. He then joined MPC and works on films like MAN OF STEEL, MALEFICENT or X-MEN: DAYS OF FUTURE PAST.

Vincent Cirelli worked on many Marvel productions. In 2014, he talked to us about the Luma Pictures work on THOR: THE DARK WORLD. Then he worked on GUARDIANS OF THE GALAXY, AVENGERS: AGE OF ULTRON and ANT-MAN. He also oversaw the effects of IN THE HEART OF THE SEA and DEADPOOL.

Last year, Florian Gellinger had explained to us the work on Rise FX on THE MAN FROM U.N.C.L.E. He then worked on HITMAN: AGENT 47 and MANIFESTO. CAPTAIN AMERICA: THE CIVIL WAR is his second collaboration with the Russo brothers.