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SAVAGES: Paul & Christina Graff – VFX Supervisor & VFX Producer...

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Paul and Christina Graff are the founders of Crazy Horse Effects. Before that they worked on many projects at Digital Backlot such as THERE WILL BE BLOOD, THE AVIATOR or TROPIC THUNDER. In the following interview, they talk about their collaboration with director Oliver Stone.

RESIDENT EVIL: RETRIBUTION – Eric Robinson (Digital Visual Effects Supervisor) and...

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RESIDENT EVIL RETRIBUTION is the largest project made at Mr .X and they won't be too much of two to explain their work on the visual effects of this show. Eric Robinson is back on The Art of VFX after telling us his work on THE THREE MUSKETEERS and is accompanied by Ethan Lee.

DREDD: Rudi Holzapfel – VFX Supervisor – Baseblack

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Rudi Holzapfel is back to science fiction (he had talked about his work on TOTAL RECALL) and to The Art of VFX. In the following interview, he talks about the challenge of creating the slow-motion effects on DREDD.

DREDD: Jon Thum – VFX Supervisor – Prime Focus World

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Jon Thum works in visual effects for over 20 years. He worked in London, Australia and the USA. He has participated in projects like DARK CITY, THE MATRIX, PITCH BLACK or TROY. He won an Oscar for Best Visual Effects for THE MATRIX.

THE EXPENDABLES 2: Ajoy Mani – VFX Supervisor – Worldwide FX

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Ajoy Mani is back on The Art of VFX. After explaining the effects of Worldwide FX on CONAN THE BARBARIAN, he tells us about his work on THE EXPENDABLES 2 and its many challenges.

THE AMAZING SPIDER-MAN: Boris Schmidt – VFX Supervisor – Pixomondo

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Boris Schmidt joined Pixomondo in 1999 and worked on many projects such as 2012, THE LAST AIRBENDER or SUCKER PUNCH. For RED TAILS, he will be VFX Supervisor as well as for THE AMAZING SPIDER-MAN. He talks about the challenges faced on this show and the collaboration with Sony Pictures Imageworks.

BATTLESHIP: Chris Harvey – VFX Supervisor – Image Engine

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After he talked about his work on TRON LEGACY, Chris Harvey then joined Image Engine and explains to us his work on BATTLESHIP.

PROMETHEUS: Martin Hill – VFX Supervisor – Weta Digital

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Martin Hill began his career in VFX at Double Negative, where he worked on films like BELOW, THE CHRONICLES OF RIDDICK or BATMAN BEGINS. He then joined Weta Digital for KING KONG. He worked on many projects like ERAGON, AVATAR, RISE OF THE PLANET OF THE APES or THE ADVENTURES OF TINTIN.

THE AVENGERS: Simon Maddison – VFX Supervisor – Fuel VFX

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Simon Maddison is back on The Art of VFX. After he discuss the effects of Fuel VFX on COWBOYS & ALIENS, now he explains his work on THE AVENGERS.

RUST & BONE: Cedric Fayolle – VFX Supervisor – Mikros Image

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Since my interview of Cédric Fayolle for GAINSBOURG, he has worked on over a dozen films including GARDIENS DE L'ORDRE, 2 DAYS IN NEW YORK or BELOVED. In the following interview, he talks about his passion of working with directors and the many challenges of RUST & BONE.