SEE YOU UP THERE - résultats de la recherche

In 2011, Adam Gascoyne explained to us the work of Union VFX on 127 HOURS. Then he worked on many projects such as THE WOMAN IN BLACK, TRANCE, PHILOMENA but also on LONDON 2012 OLYMPIC OPENING CEREMONY: Isles of Wonder.

Stuart Bullen began his career in the VFX almost 10 years ago. He worked many years at MPC on projects such as THE WOLFMAN, GI JOE: THE RISE OF COBRA and QUANTUM OF SOLACE. He joined BlueBolt in 2010 and worked on films like THE IRON LADY, THE CLOUD ATLAS or MONUMENTS MEN.

In 2013, Jessica Norman had explained in details the work of MPC on WORLD WAR Z, she is now back to talks about her work on the new film by Ridley Scott, EXODUS - GODS AND KINGS.

During his last visit, Peter Chiang had explained to us his work on JOHN CARTER, he then took care of the visual effects of TOTAL RECALL and GODZILLA.

Charles Gibson began his career in the visual effects by working on numerous TV series. In 1987, he founded Rhythm and Hues with John Hughes, Pauline Ts'o, Keith Goldfarb, Cliff Ball and Frank Wuts. He will work there for a decade. Then he became freelance VFX Supervisor and will handle films like THE TERMINAL, the PIRATES OF THE CARIBBEAN or TERMINATOR SALVATION. He won two Oscars for best visual effects, the first on for BABE and the second for PIRATES OF THE CARIBBEAN: DEAD MAN'S CHEST.

Christian Manz had explained to us in detail the work of Framestore on 47 RONIN last year. Now he talks about his work on DRACULA UNTOLD.

In 2012, Sue Rowe explained in details the work of Cinesite on JOHN CARTER. She then joined Method Studios in Vancouver and worked on ENDER'S GAME.

Mark Breakspear explained to us the work of Method Studios for ELYSIUM on his last visit. Then he worked on ENDER'S GAME and THOR: THE DARK WORLD. Today he talks to us about his work on THE GIVER.

Before joining ILM in 1996, Pablo Helman has worked on films like APOLLO 13 or INDEPENDENCE DAY. At ILM, he worked on films such as MEN IN BLACK, DEEP IMPACT or SAVING PRIVATE RYAN. As VFX Supervisor he took care of movies like TERMINATOR 3: RISE OF THE MACHINES, WAR OF THE WORLDS, INDIANA JONES AND THE CRYSTAL SKULL or BATTLESHIP.

Nicolas Hernandez co-founded Milk VFX in 2013. Before that he worked at Framestore and The Mill. He has worked on numerous projects such as SNOW WHITE AND THE HUNTSMAN, DREDD, 47 RONIN and many TV series such as DOCTOR WHO.