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In 2013, Lindy DeQuattro explained the work of ILM on PACIFIC RIM. She then worked on DOWNSIZING.

In 2018, Dan Glass explained his work on DEADPOOL 2. He then joined DNEG and talks today about his work on FAST & FURIOUS PRESENTS: HOBBS & SHAW.

In 2017, Theo Bialek had explained to us the work of Sony Pictures Imageworks on SPIDER-MAN: HOMECOMING. He then worked on LOVE, DEATH & ROBOTS. He talks to us today about his work on SPIDER-MAN: FAR FROM HOME.

Julian Foddy began his visual effects career in 2006 at DNEG. He works on films like GREEN ZONE, PAUL, FURIOUS 6 and HERCULES. He joined the ILM teams in 2015 and took care of the effects of films such as TEENAGE MUTANT NINJA TURTLES: OUT OF THE SHADOWS, TRANSFORMERS: THE LAST KNIGHT, READY PLAYER ONE and SOLO: A STAR WARS STORY.

Max Dennison has nearly 25 years of experience in visual effects. He has worked in many studios such as Weta Digital, ILM, Cinesite, Framestore and joined DNEG in 2013. He has worked on many films such as the LORD OF THE RINGS trilogy, THE GOLDEN COMPASS, OUTLANDER and KRYPTON.

Spencer Cook has more than 28 years of experience in the field of animation. He has worked in many studios such as Digital Domain, Sony Pictures Imageworks, Framestore and MPC. He has worked on films like THE MATRIX RELOADED, THE MATRIX REVOLUTIONS, MEN IN BLACK 3 and BEAUTY AND THE BEAST.

In 2017, Guillaume Rocheron explained his work on GHOST IN THE SHELL. Today he tells us about his reunion with Godzilla for GODZILLA: KING OF THE MONSTERS.

In 2017, Christian Kaestner explained the work of Framestore on KING ARTHUR: LEGEND OF THE SWORD. He then worked on GEOSTORM and MARY POPPINS RETURNS.

Last year, Craig Hammack explained the work of ILM on BLACK PANTHER and SKYSCRAPER. He talks to us today about CAPTAIN MARVEL.

In 2017, Dominik Zimmerle explained the work of Trixter on SPIDER-MAN: HOMECOMING. He then worked on LOST IN SPACE before returning to the MCU with CAPTAIN MARVEL.