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MIDWAY: Laurent Taillefer – VFX Supervisor – Scanline VFX
In 2014, Laurent Taillefer explained the work of Mokko Studio on BEAUTY AND THE BEAST. He then works at Atomic Fiction (now Method Studios), Mr. X and joins Scanline VFX in 2018. He works on many films like DEADPOOL, STRANGER THINGS, PACIFIC RIM: UPRISING and AD ASTRA.
ZOMBIELAND – DOUBLE TAP: Mo Sobhy – VFX Supervisor – Rodeo...
Mo Sobhy started his VFX career in 2003 at Framestore. He then worked at MPC and Cinesite before joining Rodeo FX in 2019. He worked on many films such as X: FIRST CLASS, GODZILLA, BATMAN V SUPERMAN: DAWN OF JUSTICE and STRANGER THINGS.
MIDWAY: Derek Spears (VFX Supervisor), Tefft Smith II (Head of Visualization)...
The team of Pixomondo composed of Derek Spears (VFX Supervisor), Tefft Smith II (Head of Visualization) and Phi Van Le (VFX Producer) talk about their work on MIDWAY.
THE DARK CRYSTAL – AGE OF RESISTANCE: Sean Mathiesen – VFX...
Sean Mathiesen has been working for nearly 30 years in visual effects and animation. He has worked in many studios including Weta Digital, Rising Sun Pictures, MPC and joined DNEG in 2016. He has worked on many projects such as the LORD OF THE RINGS trilogy, TERMINATOR SALVATION, THE MUPPETS MOST WANTED and BLACK MIRROR.
AD ASTRA: Jedediah Smith – VFX Supervisor – Method Studios
In 2018, Jedediah Smith explained the work of Method Studios on PACIFIC RIM: UPRISING. He then worked on THE OA and talks today about AD ASTRA.
AD ASTRA: Olaf Wendt – VFX Supervisor – Mr. X
Olaf Wendt has more than 15 years of experience in visual effects. He has worked on many projects such as TRUE DETECTIVE, BLACK SAILS, GAME OF THRONES and MOLLY'S GAME.
AD ASTRA: Eric Andrusyszyn – Compositing Supervisor – MPC
Eric Andrusyszyn has worked for more than 10 years in visual effects. After working at Rhythm & Hues, he joined MPC in 2013 and works on films like BATMAN V SUPERMAN: DAWN OF JUSTICE, INDEPENDENCE DAY: RESURGENCE, JUSTICE LEAGUE and AQUAMAN.
AD ASTRA: Allen Maris – Overall VFX Supervisor & VFX Producer
Allen Maris began his career in visual effects more than 20 years ago. He has worked on many films such as THE CHRONICLES OF RIDDICK, PROMETHEUS, GODZILLA and A CURE FOR WELLNESS.
DOWNTON ABBEY: Kyle McCulloch – VFX Supervisor – Framestore
In 2017, Kyle McCulloch had explained the work of Framestore for THOR: RAGNAROK. He then worked on MARY POPPINS RETURNS and HOBBS & SHAW.
CARNIVAL ROW: Max Riess – VFX Supervisor – Pixomondo
Max Riess began his career in visual effects more than 10 years at Pixomondo. He has worked on many projects such as HUGO, STAR TREK INTO DARKNESS, GAME OF THRONES and IRON SKY 2.