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In 2014, Kyle McCulloch had explained to us the work of Framestore on GUARDIANS OF THE GALAXY. He then took care of the visual effects of PAN.

Prior to joining Brainstorm Digital in 2010. Eran Dinur worked at Framestore and Industrial Light & Magic. At Brainstorm Digital, he took care of the effects of BOARDWALK EMPIRE, THE IMMIGRANT, THE WOLF OF WALL STREET, CAFE SOCIETY and NERVE. He has just released his book The Filmmaker's Guide to Visual Effects.

Last December, Ivan Moran told us about Framestore's work on ARRIVAL. He stays in the science fiction world and explains to us today his work on GHOST IN THE SHELL.

Jay Mehta started his career at Rhythm & Hues in 2007, where he worked on projects such as THE GOLDEN COMPASS, THE INCREDIBLE HULK, SNOW WHITE AND THE HUNTSMAN and LIFE OF PI. He then joined Base FX in 2014 and worked on projects like AGENT CARTER, BLACK SAILS and EQUALS.

This month of February marks a new year for The Art of VFX and is also the Awards season. The last year was rich of...

During his last visit, Kevin Baillie talked about the work of Atomic Fiction on STAR TREK INTO DARKNESS. He then worked on NEED FOR SPEED and TRANSFORMERS: AGE OF EXTINCTION. He then takes of the effects supervision of the new film by Robert Zemeckis, THE WALK and opens at this occasion an Atomic Fiction office in Montreal.

Kyle McCulloch is in visual effects for over 15 years. He worked in many studios such as Curious Pictures, The Orphanage or ILM. He joined Framestore in 2009 and worked on films such as HARRY POTTER AND THE Deathly HALLOWS: PART 1 or GRAVITY. Mark Wilson began his career in the VFX in 1999 at Passion Pictures. Then he joined Framestore in 2006 and worked on films like AVATAR, LINCOLN or GRAVITY.

Daniel Barrett has worked in the animation world for nearly 10 years. He joined Weta Digital for BRIDGE TO TERABITHIA. He then worked on projects such as AVATAR, RISE OF THE PLANET OF THE APES or MAN OF STEEL.

After working with Douglas Trumbull as traditional model maker, Russell Earl joined the teams of ILM in the beginning of the 90s. He worked on many projects such as DRAGONHEART, DEEP IMPACT, STAR WARS: EPISODE I - THE PHANTOM MENACE and MEN IN BLACK II. As VFX Supervisor, he took care of the effects for movies like TRANSFORMERS, RED TAILS, STAR TREK and SUPER 8.

The last time, Robin Hollander had explained his work as Compositing Supervisor on THE HOBBIT: AN UNEXPECTED JOURNEY. He then worked on IRON MAN 3. It is now back in Middle Earth.