life of pi - résultats de la recherche

In 2014, Rick O'Connor explained to us about the ILM's work on TRANSFORMERS: AGE OF EXTINCTION. Now he talks to us about his new collaboration with director Michael Bay and the challenges on TRANSFORMERS: THE LAST KNIGHT.

The team of Main Road Post, composed of Arman Yahin (CEO) and the VFX Supervisors Andrey Maximov and Dmitry Kuznetsov, talks in detail about their great work on ATTRACTION.

Darren Poe has more than 20 years of experience in visual effects. He worked at Digital Domain, Weta Digital, Scanline VFX and then joined Double Negative in 2016. He has worked on many films such as FIGHT CLUB, STAR TREK, TRON: LEGACY and THE AVENGERS.

In 2014, Charley Henley explained to us the work of MPC on 300: RISE OF AN EMPIRE. He then worked on CINDERELLA and THE JUNGLE BOOK. ALIEN: COVENANT marks his return to the Alien universe.

Few months ago, Ferran Domenech explained to us in detail about the MPC's work on A MONSTER CALLS. He also took care of the visual effects of FANTASTIC BEASTS AND WHERE TO FIND THEM. Today, he talks to us about his work on ALIEN: COVENANT.

Christian Kaestner began his career in visual effects in 2006 at The Orphanage and then joined the Framestore teams in 2007. He has worked on numerous projects such as AVATAR, GRAVITY, EDGE OF TOMORROW and PADDINGTON. With more than 16 years experience at Framestore, Stuart Penn has worked on many projects such as THE GOLDEN COMPASS, AVATAR, GRAVITY and GUARDIANS OF THE GALAXY.

In 2014, Kyle McCulloch had explained to us the work of Framestore on GUARDIANS OF THE GALAXY. He then took care of the visual effects of PAN.

Axel Bonami began his career in the VFX in Paris in 2001 at Duran to work on THE NEST and IMMORTAL (AD VITAM). In 2006, he joined Duboi to work on L'AUBERE ROUGE and ASTERIX AT THE OLYMPIC GAMES. In 2008, he joined MPC and worked on numerous projects such as ROBIN HOOD, DARK SHADOWS, GODZILLA and X-MEN: APOCALYPSE.

Tom Proctor began his career as a compositor on THE MATRIX at Manex Visual Effects. He worked in many studios such as Weta Digital, Evil Eye Pictures or Rising Sun Pictures before joining Double Negative in 2010.

Samir Hoon began his career in VFX at R/Greenberg Associates in 1993. He joined Industrial Light & Magic in 1995. He has worked on numerous projects such as TERMINATOR 3: RISE OF THE MACHINES, ERAGON, STAR TREK INTO DARKNESS or HITMAN: AGENT 47.