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Paul Butterworth has worked at Animal Logic in 1993 as compositing artist and later became the first Australian VFX supervisor! He also directed numerous commercials and do a lot of matte paintings. In 1998, he oversee 1300 shots in 8 months for the TV series FARSCAPE. In 2000, he founded with Dave Morley, Andrew Hellen, Simon Maddison and Jason Bath, the studio Fuel VFX. He oversaw the effects of X-MEN ORIGINS: WOLVERINE and is currently working on Ridley Scott's PROMETHEUS. In the following interview, he talks about his work on THOR.

Jonathan Harb began his career as a production assistant in the art department at ILM in 1996, he later became concept artist, matte painter, supervisor of the matte painting department and VFX supervisor. At ILM, he worked on such films as MEN IN BLACK I and II, the new STAR WARS trilogy, THE PERFECT STORM, or I.A. In 2007, he founded Whiskytree and oversaw the effects of movies like TERMINATOR SALVATION or TRON LEGACY. In the following interview, he talks about his work on THOR.

Eric Fernandes has worked in many studios such as Industrial Light and Magic, Weta Digital or Dreamworks Animation and Digital Domain. He has worked on such films as STAR WARS EPISODE II: ATTACK OF THE CLONES, LORD OF THE RINGS: THE TWO TOWERS and RETURN OF THE KING but also on KUNG FU PANDA and AVATAR.

Kelly Port began his career in 1995 at Digital Domain on APOLLO 13. He participated in many projects of the studios such as TITANIC, RED PLANET or THE LORD OF THE RINGS: THE FELLOWSHIP OF THE RING. He will also oversee the effects of movies like WE OWN THE NIGHT, STAR TREK or THE A-TEAM.

Vincent Cirelli and his team are back on The Art of VFX. This time, they talk about their work on THOR.

With a career spanning 35 years, Stephen Rosenbaum's journey in the realm of visual effects commenced at ILM. Throughout his tenure, he lent his...

David Simpson embarked on his journey in the realm of visual effects at Framestore back in 2008. Since then, he worked on Gravity, Fantastic...

Back in 2015, Chris Harvey explained the visual effects work made by Image Engine for Child 44. Subsequently joining Oats Studios, he assumed the...

In 2020, Adrian de Wet and Eve Fizzinoglia talked to us about the visual effects on the first season of the See series. They...

Owen Braekke-Carroll began his career in visual effects in 2011 at Rising Sun Pictures, and also worked at Animal Logic before joining Framestore in...