Don't Look Up - résultats de la recherche

Since his last visit here to explain the work of RISE on The Dark Tower, Florian Gellinger has taken care of many shows at...

Back in 2018, Scott Farrar explained ILM's work on A Quiet Place. He's back today to tell us about the sequel to that film. Jason...

In 2021, Dave Morley explained the work of Fuel VFX on Mission Impossible: Ghost Protocol. He then worked on various films such as Unbroken,...

Last month, Kevin Smith explained in detail the work of Weta Digital on Zack Snyder's Justice League. Today he comes back with a completely...

Back in 2018, Kevin Smith talked to us about the work of Weta Digital on Mortal Engines. He went on to work on Godzilla...

Richard Greenwood has been working in visual effects for over 11 years. He joined FuseFX in 2014 to help launch the Vancouver office. He...

In 2019, Martin Hill explained to us the work of Weta Digital on the final season of GAME OF THRONES. Today he talks to us with Nick Stein (Animation Supervisor), Thrain Shadbolt, Philip Leonhardt (VFX Supervisors) about their work on Netflix's tale, THE CHRISTMAS CHRONICLES 2.

Andrew Scrase started his career in visual effects in 2007 at DNEG. He then worked at One of Us before joining Framestore in 2019. He has worked on various shows including KICK-ASS, INTERSTELLAR, PACIFIC RIM: UPRISING and ALADDIN. Standish Millennas began working in VFX in 2007 at Machine. She then joined Prime Focus and One of Us then Framestore in 2019. She has worked on projects such as ROBIN HOOD, THE EAGLE, THE OA and TOLKIEN.

Last year Stephan Fleet explained to us in detail his work on the first season of THE BOYS. He is back today to tell us about the new season and its challenges.

If you like science-fiction and spaceships, then don't miss this VFX Breakdown by Swedish studio Important Looking Pirates about their work on the second...