6 underground - résultats de la recherche

In 2015, Steve Begg explained his work on SPECTRE. He talks to us today about his work on THE COMMUTER.

Stephane Nazé has been working in visual effects for more than 20 years. He worked at BUF and Method Studios before joining Framestore in 2014. As VFX Supervisor at Framestore, he took care of the effects of PAN, NOW YOU SEE ME 2 and FANTASTIC BEASTS AND WHERE TO FIND THEM.

In 2013, Ben Morris explained to us about the work of Framestore on LINCOLN, he then worked on GRAVITY. Then he joins Industrial Light & Magic. STAR WARS - THE LAST JEDI is his second film STAR WARS after THE FORCE AWAKENS.

Angus Bickerton is working in visual effects for over 30 years, including about 20 years as a VFX supervisor. He has worked on LOST IN SPACE, BAND OF BROTHERS, THE HITCHHIKER'S GUIDE TO THE GALAXY, TOTAL RECALL and THE MONUMENTS MEN.

In more than 20 years, Kendrick Wallace has produced the effects of many projects such as MAX PAYNE, THE A-TEAM, ABRAHAM LINCOLN: VAMPIRE HUNTER or INTO THE WOODS. He talks to us today about his work on IT.

Erik-Jan de Boer began his career in the VFX at MPC in 1989. He then worked at Rushes before joining Rhythm & Hues in 1996 where he worked more than 16 years as an animation supervisor. In 2013 he won an Oscar for Best Achievement in Visual Effects for LIFE OF PI. He then joined Method Studios.

In 2015, Christopher Townsend told us about his work on AVENGERS: AGE OF ULTRON. Today, he explains about the challenges faced on GUARDIANS OF THE GALAXY VOL 2.

Jay Mehta started his career at Rhythm & Hues in 2007, where he worked on projects such as THE GOLDEN COMPASS, THE INCREDIBLE HULK, SNOW WHITE AND THE HUNTSMAN and LIFE OF PI. He then joined Base FX in 2014 and worked on projects like AGENT CARTER, BLACK SAILS and EQUALS.

Sean Devereaux founded Zero VFX with Brian Drewes in 2010. THE MAGNIFICENT SEVEN is his third collaboration with director Antoine Fuqua.

Charles Gibson began his career in the visual effects by working on numerous TV series. In 1987, he founded Rhythm and Hues with John Hughes, Pauline Ts'o, Keith Goldfarb, Cliff Ball and Frank Wuts. He will work there for a decade. Then he became freelance VFX Supervisor and will handle films like THE TERMINAL, the PIRATES OF THE CARIBBEAN or TERMINATOR SALVATION. He won two Oscars for best visual effects, the first on for BABE and the second for PIRATES OF THE CARIBBEAN: DEAD MAN'S CHEST.