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LINCOLN: Ben Morris – VFX Supervisor – Framestore
LINCOLN is the second collaboration of Ben Morris with Steven Spielberg after WAR HORSE. In the following interview, he explains his work at Framestore on this film.
CLOUD ATLAS: Florian Gellinger – VFX Supervisor – RISE
Florian Gellinger is in the visual effects for over 10 years. In 2007, he founded RISE with three friends and supervised numerous projects such as THIS IS LOVE, NINJA ASSASSIN or X-MEN: FIRST CLASS. In the following interview, he talks about his work on CLOUD ATLAS.
GRABBERS: Paddy Eason – VFX Supervisor – Nvizible
Paddy Eason has been evolving for over 20 years in VFX. He worked for many studios such as Framestore, MPC or Rainmaker and participated in projects like MISSION IMPOSSIBLE, BIG FISH, THE GOLDEN COMPASS or PRINCE OF PERSIA: THE SANDS OF TIME. In 2009, he founded Nvizible.
THE TWILIGHT SAGA: BREAKING DAWN – PART 2 : Laurent Spillemaecker...
Laurent Spillemaecker began his career in VFX nearly 10 years ago in Paris as a freelance Flame artist. He then joined the teams of Hybride and worked on many projects such as SIN CITY and 300. In 2008, he joined Rodeo FX and worked on films like SOURCE CODE, IMMORTALS or MIRROR MIRROR.
SKYFALL: Arundi Asregadoo – VFX Supervisor – MPC
Arundi Asregadoo is back on The Art of VFX. After he had talked about the effects on DARK SHADOWS, he explains the work of MPC on the final sequence of SKYFALL.
SKYFALL: Hugh Macdonald (VFX Supervisor), Paddy Eason (VFX Supervisor) and Martin...
Hugh Macdonald (VFX Supervisor), Paddy Eason (VFX Supervisor) and Martin Chamney (CG Supervisor) and two others founded the studio Nvizible in 2009. Nvizible worked on numerous projects as CLASH OF THE TITANS, PRINCE OF PERSIA: THE SANDS OF TIME, JOHN CARTER or GRABBERS.
LOOPER: Michel Mielke – VFX Supervisor – Scanline VFX
When Michel Mielke joined Scanline in 2004, he first worked as a producer on such films as THE CHRONICLES OF NARNIA: PRINCE CASPIAN, 2012, PIRATES OF THE CARIBBEAN: ON STRANGER TIDES or THE AVENGERS. In the following interview, he talks about his work as VFX Supervisor on LOOPER.
DARK SHADOWS: Anton Yri – VFX Supervisor – The Senate VFX
Anton Yri began working in the VFX on BATMAN BEGINS at The Senate VFX in 2005. It has since remained in the studio and has participated in numerous films like THE DA VINCI CODE, HELLBOY II: THE GOLDEN ARMY or KICK ASS and also on TV shows like ROME, FLASH FORWARD or LUTHER.
DREDD: Jon Thum – VFX Supervisor – Prime Focus World
Jon Thum works in visual effects for over 20 years. He worked in London, Australia and the USA. He has participated in projects like DARK CITY, THE MATRIX, PITCH BLACK or TROY. He won an Oscar for Best Visual Effects for THE MATRIX.
THE EXPENDABLES 2: Ajoy Mani – VFX Supervisor – Worldwide FX
Ajoy Mani is back on The Art of VFX. After explaining the effects of Worldwide FX on CONAN THE BARBARIAN, he tells us about his work on THE EXPENDABLES 2 and its many challenges.