ted - résultats de la recherche

Anders Beer began his animator career in 1996 at Dreamworks SKG, he then worked in many studios like Banned from the Ranch, Digital Domain and Sony Imageworks. He has participated on movies such as SPAWN, LAKE PLACID, OPEN SEASON or REIGN OF FIRE. At Double Negative, he supervised the animation of the Tooth Fairies sequence on HELLBOY 2.

Having worked in all areas of visual effects at Prime Focus and Frantic Films, Chris Harvey become VFX supervisor and works on movies such as JOURNEY TO THE CENTER OF THE EARTH, GI JOE: RISE OF THE COBRA and THE A-TEAM. He also works as a stereo consultant for movies like AVATAR.

Blair Clark began his career on the film GREMLINS, then joined ILM, where he met Phil Tippett. He will work especially YOUNG SHERLOCK HOLMES, WILLOW or INDIANA JONES AND THE LAST CRUSADE. For nearly 25 years he worked at Tippett Studio, he oversees the effects of such films as BLADE 2, HELLBOY or SPIDERWICK CHRONICLES.

Greg Oehler worked at CIS Hollywood for over 15 years and has participated in many projects such as TITANIC, THE BOURNE ULTIMATUM, WATCHMEN or INVICTUS.

After talking about THE GREEN HORNET, Vincent Cirelli and his team are back. This time, they talk about their invisible work on the western TRUE GRIT.

Before joining Luma Pictures in 2003, Vincent Cirelli worked at Stan Winston Studios as technical director. At Luma, he oversaw movies such as NO COUNTRY FOR OLD MEN, HANCOCK, HARRY POTTER AND THE HALF-BLOOD PRINCE or WOLVERINE.

Bryan Grill evolves in visual effects for over 20 years. After working for 14 years at Digital Domain starting as Flame operator to finish as a VFX supervisor, he oversaw such projects as THE GOLDEN COMPASS, PIRATES OF THE CARIBBEAN 3 or G.I. JOE. He joined the teams of Scanline VFX in 2010.

Dan Schrecker has worked on all the movies of Darren Aronofsky's from PI to BLACK SWAN. He also worked on films such as THE DARJEELING LIMITED, ACROSS THE UNIVERSE or LAW ABIDING CITIZEN and the TV serie THE SOPRANOS. In 2008, he joined the staff of Look Effects.

Adam Gascoyne is working in visual effects for over 15 years. He worked at Cinesite, MPC or Rainmaker London. His filmography includes such films as DIE ANOTHER DAY, DA VINCI CODE or the TV series ROME. He oversaw a large number of films including SLUMDOG MILLIONAIRE, INKHEART or LA MOME. He founded Union VFX with Tim Caplan.

Jamie Dixon is a true pioneer in the world of visual effects. He was one of the first employees at Pacific Data Images in 1985. His wire removal on TERMINATOR 2 was one of the first and same thing about the morphing on the faces for the music video BLACK & WHITE of Michael Jackson. He founded Hammerhead in 1995, with Dan Chuba, Thad Beier and Rebecca Marie, and work on many films such as TRUE LIES, TITANIC, X-MEN, THE CHRONICLES OF RIDDICK or WANTED.