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PACIFIC RIM: Aaron Weintraub (Co-founder & Previs Supervisor) & Craig Calvert...

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During his last visit, Aaron Weintraub explained the work of Mr. X on TRON: LEGACY. He then worked on projects like THE THREE MUSKETEERS, TWILIGHT: BREAKING DAWN - PART 1, THE THING, RESIDENT EVIL: RETRIBUTION and MAMA . Craig Calvert worked in the VFX for over 13 years. He has worked on projects such as I, ROBOT, TROPIC THUNDER or ANGELS & DEMONS. He then joined Mr. X in 2010 and participates in films like REPO MEN, TRON: LEGACY, THE VOW or RESIDENT EVIL: AFTERLIFE.

FAST & FURIOUS 6: David Vickery – Overall VFX Supervisor –...

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Last year, David Vickery explained the work of Double Negative on THE PIRATES! BAND OF MISFITS. This time he talks about crazy car chases, giant airplane and CG cars for FAST & FURIOUS 6.

FAST & FURIOUS 6: Koen Vroeijenstijn – CG Supervisor – Image...

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Koen Vroeijenstijn worked in the video game at Guerrilla Games before coming to the U.S. and joining DreamWorks Animation. He worked on projects such as KUNG FU PANDA, MEGAMIND or RISE OF THE GUARDIANS. He then joined Image Engine to work on ELYSIUM.

CHRONICLE: Raymond Chen – VFX Supervisor – Rhythm & Hues

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Raymond Chen worked over 15 years at Rhythm & Hues. It starts as lighter on films such as BABE: PIG IN THE CITY, CATS & DOGS or X2. Then he was worked on THE FAST AND THE FURIOUS: TOKYO DRIFT as VFX supervisor and then as the same position on projects like THE GOLDEN COMPASS, NIGHT AT THE MUSEUM: BATTLE OF THE SMITHSONIAN or HOP. In the following interview, Raymond talks about his work, including the aerial sequences of CHRONICLE.

KUNG FU PANDA 2: Rodolphe Guenoden – Supervising Animator & Fight...

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Rodolphe Guenoden is working in animation for over 20 years. Within Dreamworks Animation, he participated in projects such as THE PRINCE OF EGYPT, THE ROAD TO EL DORADO, SINBAD: LEGEND OF THE SEVEN SEAS or KUNG FU PANDA. In the following interview, he talks about his work on KUNG FU PANDA 2.

THE GREEN HORNET: Jamie Dixon – VFX Supervisor & Co-founder –...

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Jamie Dixon is a true pioneer in the world of visual effects. He was one of the first employees at Pacific Data Images in 1985. His wire removal on TERMINATOR 2 was one of the first and same thing about the morphing on the faces for the music video BLACK & WHITE of Michael Jackson. He founded Hammerhead in 1995, with Dan Chuba, Thad Beier and Rebecca Marie, and work on many films such as TRUE LIES, TITANIC, X-MEN, THE CHRONICLES OF RIDDICK or WANTED.

Madame Web: Mike Brazelton – Production VFX Supervisor

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Rewinding to 2019, Mike Brazelton provided insight look into the visual effects work made by DNEG for Fast & Furious Presents: Hobbs & Shaw....

The Matrix Resurrections: Huw Evans (VFX Supervisor) with Benjamin Cowell-Thomas (Environment...

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Back in 2018, Huw Evans explained the work done by the teams of DNEG on Mission: Impossible - Fallout. He then went on to...

The Matrix Resurrections: Graham Page (VFX Supervisor), Max Solomon (Animation Supervisor)...

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Back in 2018, Graham Page told us about the work DNEG did on Avengers: Infinity War. He went on to work on Captain Marvel,...

Jungle Cruise: Chris Downs – VFX Supervisor – DNEG

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Chris Downs has been working in visual effects for over 17 years. He has worked at many studios such as Rising Sun Pictures, Image...