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TRANSFORMERS: DARK OF THE MOON – Digital Domain

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Little change of plans, Matthew Butler will finally not have time to answer my questions. Here is anyway a text about the impressive work of Matthew Butler and his team of Digital Domain on TRANSFORMERS: DARK OF THE MOON.

SUCKER PUNCH: Thilo Ewers – Art Director & Environment Supervisor –...

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After several years of freelance, Thilo Ewers joined the team of Pixomondo in 2008. He has worked on films such as NINJA ASSASSIN, 2012 or THE LAST AIRBENDER. In the following interview, he discusses his work on SUCKER PUNCH.

KUNG FU PANDA 2: Rodolphe Guenoden – Supervising Animator & Fight...

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Rodolphe Guenoden is working in animation for over 20 years. Within Dreamworks Animation, he participated in projects such as THE PRINCE OF EGYPT, THE ROAD TO EL DORADO, SINBAD: LEGEND OF THE SEVEN SEAS or KUNG FU PANDA. In the following interview, he talks about his work on KUNG FU PANDA 2.

ENTER THE VOID: Geoffrey Niquet – VFX Supervisor – BUF

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Working since 1995 at BUF Company, Geoffrey Niquet has participated in projects such as BATMAN & ROBIN, FIGHT CLUB or THE CELL. It becomes VFX supervisor in 2004 on ATOMIK CIRCUS and has since overseen the effects of films such as SPEED RACER or THE EXTRAORDINARY ADVENTURES OF ADELE BLANC-SEC.

I AM NUMBER FOUR: Mat Beck – VFX Supervisor – Entity...

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Mat Beck began his career over 30 years. He has worked for prestigious studios like Apogee, Boss Film or Dream Quest Images. His career includes numerous films such as STAR TREK, TRUE LIES, TITANIC or VOLCANO but he also worked on many TV shows like X-FILES or SMALLVILLE. At Entity FX, he oversaw projects like SPIDER-MAN 2, FINAL DESTINATION 4 and THE SPIRIT.

PAUL: Jody Johnson – VFX Supervisor – Double Negative

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Jody Johnson went through all stages at Double Negative. She begins with roto and the compositing on STALINGRAD, STARDUST or SHAUN OF THE DEAD. Then compositing supervisor and finally VFX supervisor for movies like PENELOPE or BRIDGET JONES: THE EDGE OF REASON.

BATTLE LOS ANGELES: Ben Shepherd – VFX Supervisor – Cinesite

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Ben Shepherd works for over 10 years in visual effects, he participated in many projects such as BIG FISH, HARRY POTTER AND THE GOBLET OF FIRE, and TIM BURTON'S CORPSE BRIDE at MPC. In 2006, he joined Cinesite teams where he oversaw films such as X-MEN: THE LAST STAND, THE DAY THE EARTH STOOD STILL or 2 episodes of the TV series THE PRISONER.

BATTLE LOS ANGELES: Jeff Campbell – VFX Supervisor – Spin VFX

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After a first interview for LEGION, Jeff Campbell is back on The Art of VFX with a new movie for Spin VFX. In the following interview, he talks about his work on BATTLE LOS ANGELES.

HEREAFTER: Bryan Grill – VFX Supervisor – Scanline VFX

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Bryan Grill evolves in visual effects for over 20 years. After working for 14 years at Digital Domain starting as Flame operator to finish as a VFX supervisor, he oversaw such projects as THE GOLDEN COMPASS, PIRATES OF THE CARIBBEAN 3 or G.I. JOE. He joined the teams of Scanline VFX in 2010.

THE A-TEAM: Bill Westenhofer – VFX Supervisor – Rhythm & Hues

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Rhythm & Hues for nearly 15 years, Bill Westenhofer has overseen many projects such as BABE, STUART LITTLE, CATS & DOGS, MEN IN BLACK 2 or THE CHRONICLES OF NARNIA. In 2008, he received an Academy Award ® for Achievement in Visual Effects for his work on THE GOLDEN COMPASS. In the following interview, he talks to us about his work on THE A-TEAM.