point break - résultats de la recherche

In 2012, Gary Brozenich explained to us about the work of MPC on WRATH OF THE TITANS. He then took care of the visual effects on THE LONE RANGER, EDGE OF TOMORROW and TERMINATOR GENISYS. Now he is back into the world of PIRATES OF THE CARIBBEAN.

In 2012, Olivier Dumont explained to us the work of Method Studios on WRATH OF THE TITANS. He then worked on many films such as GUARDIANS OF THE GALAXY, AVENGERS: AGE OF ULTRON, BATMAN V SUPERMAN: DAWN OF JUSTICE or VOYAGE OF TIME: LIFE'S JOURNEY.

A few weeks ago, Christian Kaestner and Stuart Penn had explained to us the work of Framestore on ALIEN: COVENANT. They are back today to tell us about Guy Ritchie's new film, KING ARTHUR: LEGEND OF THE SWORD.

In 2014, Charley Henley explained to us the work of MPC on 300: RISE OF AN EMPIRE. He then worked on CINDERELLA and THE JUNGLE BOOK. ALIEN: COVENANT marks his return to the Alien universe.

Brendan Seals is working at Luma Pictures since several years. He has worked on many films such as GUARDIANS OF THE GALAXY, AVENGERS: AGE OF ULTRON, DEADPOOL and DOCTOR STRANGE.

In 2015, Christopher Townsend told us about his work on AVENGERS: AGE OF ULTRON. Today, he explains about the challenges faced on GUARDIANS OF THE GALAXY VOL 2.

In 2013, Guy Williams explained to us about Weta Digital's work on THE HUNGER GAMES: CATCHING FIRE. Today he talks about his new collaboration with VFX supervisor Christopher Townsend, this time for GUARDIANS OF THE GALAXY VOL 2.

In addition to Framestore, Arslan Elver has worked in numerous studios such as Prime Focus, MPC and Industrial Light & Magic. He has worked on many films such as THE GOLDEN COMPASS, MALEFICENT, GUARDIANS OF THE GALAXY and STAR WARS: THE FORCE AWAKENS. He is back in the Marvel universe today by talking about GUARDIANS OF THE GALAXY VOL 2.

Huw Evans began his career in 2006 at Double Negative. He has worked on numerous projects such as THE DARK KNIGHT, INCEPTION, MAN OF STEEL and THE HUNGER GAMES: CATCHING FIRE.

Axel Bonami began his career in the VFX in Paris in 2001 at Duran to work on THE NEST and IMMORTAL (AD VITAM). In 2006, he joined Duboi to work on L'AUBERE ROUGE and ASTERIX AT THE OLYMPIC GAMES. In 2008, he joined MPC and worked on numerous projects such as ROBIN HOOD, DARK SHADOWS, GODZILLA and X-MEN: APOCALYPSE.