project power - résultats de la recherche

Last year, Florian Gellinger had explained to us the work on Rise FX on THE MAN FROM U.N.C.L.E. He then worked on HITMAN: AGENT 47 and MANIFESTO. CAPTAIN AMERICA: THE CIVIL WAR is his second collaboration with the Russo brothers.

Dan Deleeuw began his career in the visual effects in 1992 at Dream Quest Images and then joined the teams of Rhythm & Hues. He worked on many projects such as THE ROCK, REIGN OF FIRE, NIGHT AT THE MUSEUM or IRON MAN 3. CIVIL WAR is his second collaboration with the Russo brothers.

Adam Valdez talked to us in 2012 about the work of MPC on JOHN CARTER. Then he worked on WORLD WAR Z and MALEFICENT. Today, he explains in detail about the impressive work on THE JUNGLE BOOK.

Mark Stetson has a long career in special and visual effects. He started working on the models of films such as BLADE RUNNER, GHOSTBUSTERS, 2010 or DIE HARD. THE FIFTH ELEMENT is his first film as Overall VFX supervisor. In 2010, he joined the teams of Zoic Studios as Senior VFX Supervisor.

After KNOWING, GODS OF EGYPT marks the second collaboration between Eric Durst and director Alex Proyas. Before that he had supervised the visual effects of a large number of movies such as BATMAN FOREVER BATMAN & ROBIN, SPIDER-MAN 2 or SNOWPIERCER.

Eric J. Robertson worked in visual effects and production for over 20 years. He worked on more than 80 films such as DAWN OF THE DEAD, THE DA VINCI CODE, SILENT HILL or NOAH. He founded the studio Mr. X Gotham.

In 2012, Ryan Tudhope explained to us in detail about the work of Atomic Fiction on LOOPER. He then take care of the visual effects of projects such as FLIGHT, THE LONE RANGER or GAME OF THRONES.

Alex Wang started his career in the visual effects at The Orphanage on THE DAY AFTER TOMORROW. He worked on many projects before joining ImageMovers Digital for THE CHRISTMAS CAROL and MARS NEEDS MOMS. In 2010, Alex joined Digital Domain for TRON LEGACY and then worked on TRANFORMERS: DARK OF THE MOON, JACK THE GIANT SLAYER and FURIOUS 7.

Jonathan Rothbart began his career in VFX at Industrial Light & Magic in 1995. He worked on films like DRAGONHEART, MEN IN BLACK or STAR WARS: EPISODE I - THE PHANTOM MENACE. In 2000, he created the studio The Orphanage with Scott Stewart and Stu Maschwitz. He will oversee the effects of many films like HERO, HELLBOY, SIN CITY or IRON MAN. In 2010, The Orphanage is closed and Jonathan becomes production side VFX Supervisor and take care of the effects of LEGION, PRIEST and AFTER EARTH.

Zave Jackson start his career in visual effects in 2000 in the compositing. He joined Cinesite in 2006 and worked on many projects such as JOHN CARTER, SKYFALL, X-MEN: DAYS OF FUTURE PAST or THE MAN FROM U.N.C.L.E.