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Damsel: Emmanuel Pichereau – Creative Director – One of Us

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Emmanuel Pichereau brings over 17 years of experience to the table in the field of visual effects. His career path has traversed various studios...

Damsel: Nigel Denton-Howes – Production VFX Supervisor

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In 2019, Nigel Denton-Howes detailed Framestore's involvement in Alita: Battle Angel before embarking on new ventures at ReDefine and Eyeline Studios. After working on...

Madame Web: Mike Brazelton – Production VFX Supervisor

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Rewinding to 2019, Mike Brazelton provided insight look into the visual effects work made by DNEG for Fast & Furious Presents: Hobbs & Shaw....

True Detective – Night Country: Barney Curnow – Production VFX Supervisor

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Barney Curnow's visual effects journey began in 1993 in New Zealand. He then worked at MPC and Atomic Arts. With years of experience under...

The Creator: Gareth Edwards (Director), Jay Cooper (Production VFX Supervisor), Andrew...

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Gareth Edwards, known for his work in visual effects, transitioned to directing with notable films such as Monsters, Godzilla, and the highly praised Rogue...

The Winter King: VFX Making of by Realtime

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Behind the scenes of The Winter King, the teams of the Uk based studio Realtime faced various technical challenges in creating the visual effects....

Society of the Snow: Félix Bergés & Laura Pedro – Production...

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In 2014, Félix Bergés explained the visual effects created by El Ranchito on The Homesman. He went on to work on various projects including...

Napoleon: Luc-Ewen Martin-Fenouillet – VFX Supervisor – MPC

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Luc-Ewen Martin-Fenouillet began his career in visual effects over 17 years ago. He worked at Mikros Image, Method Studios and Cinesite before joining MPC...

Nyad: Jake Braver – Production VFX Supervisor & Second Unit Director

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At the beginning of 2023, Jake Braver explained the visual effects work on The Pale Blue Eye. Now he's back with a new Netflix...

The Killer: Wei Zheng (VFX Supervisor – Artemple Hollywood), Yabin Morales...

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Wei Zheng began his career in visual effects in 1998 at ILM. He then worked at Digital Domain and joined Artemple Hollywood in 2012....