shape of water - résultats de la recherche

Stephane Nazé has been working in visual effects for more than 20 years. He worked at BUF and Method Studios before joining Framestore in 2014. As VFX Supervisor at Framestore, he took care of the effects of PAN, NOW YOU SEE ME 2 and FANTASTIC BEASTS AND WHERE TO FIND THEM.

Hugues Namur is working in visual effects for more than 20 years. He is VFX Supervisor at Mikros Image since 2002 and has taken care of the visual effects of films such as ASTERIX AT THE OLYMPIC GAMES, PARIS 36, THE BURMA CONSPIRACY and CHOCOLAT.

In November 2016, Alexis Wajsbrot and Jonathan Fawkner talked about the work of Framestore on DOCTOR STRANGE. And in April of this year, Kyle McCulloch explained to us about his work on BEAUTY AND THE BEAST. They are now talking about the last act of THOR: RAGNAROK.

Last September, Stuart Lashley explained the work of Double Negative on BABY DRIVER. He totally changes of universes today with THOR: RAGNAROK.

Paul Lambert started his career at Cinesite in 1995 and then worked at Digital Domain before joining Double Negative in 2015. His filmography includes films such as THE CURIOUS CASE OF BENJAMIN BUTTON, TRON LEGACY, OBLIVION and THE HUNTSMAN: WINTER'S WAR.

Angus Bickerton is working in visual effects for over 30 years, including about 20 years as a VFX supervisor. He has worked on LOST IN SPACE, BAND OF BROTHERS, THE HITCHHIKER'S GUIDE TO THE GALAXY, TOTAL RECALL and THE MONUMENTS MEN.

Kaori Otagaki has more than 10 years of experience in visual effects. She has worked many times with director Takashi Miike such as ZEBRAMAN...

Kevin Souls has over 20 years of experience in the visual effects. He worked for many years at Sony Pictures Imageworks on films such as CATS & DOGS, SUPERMAN RETURNS, WATCHMEN, HANCOCK and several SPIDER-MAN. A few months ago, Brendan Seals explained to us the work of Luma Pictures on ALIEN COVENANT.

In 2014, Lou Pecora explained to us about the work of Digital Domain on X-MEN: DAYS OF FUTURE PAST. He speaks to us today about his work on SPIDER-MAN: HOMECOMING.

Erik-Jan de Boer began his career in the VFX at MPC in 1989. He then worked at Rushes before joining Rhythm & Hues in 1996 where he worked more than 16 years as an animation supervisor. In 2013 he won an Oscar for Best Achievement in Visual Effects for LIFE OF PI. He then joined Method Studios.