ant man - résultats de la recherche

After graduating from Supinfocom, Damien Stumpf joined BUF and work on projects such as ARTHUR AND THE INVISIBLES, ENTER THE VOID or SOLOMON KANE. In 2009, he founded L'Atelier VFX with Antoine Marbach and Christophe Beaucarne. In the following interview, Damien talks about his work on CHICKEN WITH PLUMS.

Otto Thorbjørnsen joined Storm Studios in 2005. He worked on films like DEAD SNOW and THE TROLL HUNTER. In the following interview, he talks about his work as a VFX supervisor on the film KING OF DEVIL'S ISLAND.

Yanick Wilisky is back on The Art of VFX. After explaining his work on SOURCE CODE, he explains to us now his work on BARNEY'S VERSION.

Ara Khanikian is back for the third time on The Art of VFX. After telling us about his work on JONAH HEX and RESIDENT EVIL: AFTERLIFE 3D, he explains the work of Rodeo FX on THE THREE MUSKETEERS.

Erik Nash began his career in 1979 on the film STAR TREK: THE MOTION PICTURE. He joined Digital Domain in 1995 and work on projects like APOLLO 13, TITANIC or KUNDUN. He then became VFX supervisor and take care of the effects of films like RED PLANET, I ROBOT, PIRATES OF THE CARIBBEAN: AT WORLD'S END. In the following interview, he talks about his work on REAL STEEL.

After telling us about his work on THE ADJUSTMENT BUREAU, Mark Russell is back on The Art of VFX. He talks about his work on the film TOWER HEIST.

Justin Johnson is evolving in the visual effects for over 10 years. At Luma Pictures, he has worked on projects like SKY CAPTAIN AND THE WORLD OF TOMORROW, THE BOOK OF ELI, TRUE GRIT, or THOR. In the following interview, he talks about his work on IN TIME.

Simon Hughes began his career in visual effects in 1997 at Cinesite. For over 10 years, he worked in various studios like Double Negative, Rainmaker UK or Clear and on movies like KINGDOM OF HEAVEN, UNITED 93 or SLUMDOG MILLIONAIRE. In 2009, he joined the teams of Image Engine to work on DISTRICT 9. He subsequently oversaw the effects of film LAW ABIDING CITIZEN, THE LOSERS or THE FACTORY. In the following interview, he talks (with Gustavo Yamin, Jordan Benwick and Janeen Elliott) of his work on IMMORTALS.

Jay Randall started his career in 1997 working on GODZILLA. He then worked on films like THE FIFTH ELEMENT, PEARL HARBOR or TITANIC. In 2005, he founded the studio BarXseven in Montreal and work as a VFX supervisor on films like TRANSPORTER 2 or STRANGER THAN FICTION. In the following interview, he talks about his work on IMMORTALS.

After telling us about his work on ABDUCTION, Greg Liegey is back on The Art of VFX to explain his work on TOWER HEIST.