space force - résultats de la recherche

Greg Steele began his visual effects career at Rhythm & Hues in 2004. He has worked on films such as NIGHT AT THE MUSEUM, THE INCREDIBLE HULK, X: FIRST CLASS and DJANGO UNCHAINED. He then joined Method Studios in 2013. He took care of the effects of films like GUARDIANS OF THE GALAXY, ANT-MAN, CAPTAIN AMERICA: CIVIL WAR, GHOST IN THE SHELL and GUARDIANS OF THE GALAXY VOL. 2.

In 2016, Andrew Morley explained the work of Cinesite on FANTASTIC BEASTS AND WHERE TO FIND THEM. He talks to us today about his work on AVENGERS: INFINITY WAR.

Oliver Schulz began his career in visual effects in 2011 at RISE. He has worked on many films such as CLOUD ATLAS, THE MAN FROM U.N.C.L.E., DOCTOR STRANGE and BLACK PANTHER.

Andy Brown has been working in visual effects for 30 years. Before joining Method he worked at Animal Logic for 22 years during which he was VFX Supervisor on MOULIN ROUGE, HERO, HOUSE OF FLYING DAGGERS, WORLD TRADE CENTER, AUSTRALIA, SUCKER PUNCH, THE GREAT GATSBY, and THE GREAT WALL. Todd Sheridan Perry has been in visual effects and animation since 1992. After owning a small visual effect boutique in Venice, CA for nearly ten years, Todd has worked on projects including LORD OF THE RINGS: THE TWO TOWERS, CHRONICLES OF RIDDICK, 2012, THE MIST, and SPEED RACER. He has worked with Method as a CG Supervisor on AVENGERS: AGE OF ULTRON and DOCTOR STRANGE.

In 2013, Ben Morris explained to us about the work of Framestore on LINCOLN, he then worked on GRAVITY. Then he joins Industrial Light & Magic. STAR WARS - THE LAST JEDI is his second film STAR WARS after THE FORCE AWAKENS.

John Nelson supervised the visual effects of more than 20 movies such as IN THE LINE OF FIRE, THE MATRIX RELOADED, I ROBOT and IRON MAN. He won an Academy Award for Best Achievement in Visual Effects for GLADIATOR.

Richard Hoover has more than 25 years of experience in visual effects. He started at Dream Quest Images and then worked for The Walt Disney Company and Sony Pictures Imageworks. He joined Framestore in 2015. As a VFX supervisor, he took care of the effects of films such as ARMAGEDDON, REIGN OF FIRE, SUPERMAN RETURNS and BEAUTY AND THE BEAST.

Dominik Zimmerle began his career in visual effects in 2007 at Trixter. He has worked on many projects such as THE AVENGERS, CLOUD ATLAS, IRON MAN 3 and AVENGERS: AGE OF ULTRON. As a VFX Supervisor, he took care of the effects of ANT-MAN and INDEPENDENCE DAY: RESURGENCE.

In 2014, Lou Pecora explained to us about the work of Digital Domain on X-MEN: DAYS OF FUTURE PAST. He speaks to us today about his work on SPIDER-MAN: HOMECOMING.

Erik-Jan de Boer began his career in the VFX at MPC in 1989. He then worked at Rushes before joining Rhythm & Hues in 1996 where he worked more than 16 years as an animation supervisor. In 2013 he won an Oscar for Best Achievement in Visual Effects for LIFE OF PI. He then joined Method Studios.