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INCEPTION: Paul Franklin – VFX Supervisor – Double Negative

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After beginning his career at Digital Film and MPC, Paul Franklin helps to the creation of the studio Double Negative in 1998. Since then he has supervised projects such as THE LEAGUE OF EXTRAORDINARY GENTLEMEN and HARRY POTTER AND THE ORDER OF THE PHOENIX and has supervised all the movies of Christopher Nolan since BATMAN BEGINS. In the following interview, he talks to us about his work on INCEPTION.

JONAH HEX: Ara Khanikian – Lead Compositing – Rodeo FX

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Ara Khanikian evolves in the midst of visual effects of Montreal since nearly 10 years, he has gone through many studios like Buzz Image, Hybride or Rodeo FX. He has worked on projects such as THE FOUNTAIN, 300, THE X-FILES, TERMINATOR SALVATION or TWILIGHT: ECLIPSE. In the following interview, he talks to us about his work on JONAH HEX.

THE A-TEAM: Bill Westenhofer – VFX Supervisor – Rhythm & Hues

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Rhythm & Hues for nearly 15 years, Bill Westenhofer has overseen many projects such as BABE, STUART LITTLE, CATS & DOGS, MEN IN BLACK 2 or THE CHRONICLES OF NARNIA. In 2008, he received an Academy Award ® for Achievement in Visual Effects for his work on THE GOLDEN COMPASS. In the following interview, he talks to us about his work on THE A-TEAM.

PRINCE OF PERSIA: Stephane Ceretti – VFX Supervisor – MPC

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Stephane Ceretti worked for nearly 12 years at BUF in Paris on films such as ALEXANDER, MATRIX 2 and 3, HARRY POTTER 4 or BATMAN BEGINS. Then he moved to MPC in London as VFX supervisor on PRINCE OF PERSIA. Since this film, he joined Method Studios still in London, where he oversaw THE SORCERER'S APPRENTICE.

PRINCE OF PERSIA: Michael Bruce Ellis – VFX Supervisor – Double...

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Michael Bruce Ellis worked for over 10 years at Double Negative, he begins at the roto department of the studio and then quickly rise and is visual effects supervisor on movies such as WORLD TRADE CENTER or CLOVERFIELD. He recently completed the visual effects of PRINCE OF PERSIA.

KICK ASS: Mattias Lindahl – VFX Supervisor – Double Negative

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Coming from Sweden, Mattias Lindahl began his career at Lego, then he left for London where he worked at Jim Henson's Creature Shop and at Double Negative in 2001. After nearly 10 years at Double Negative, he returned to Sweden this year and works at Fido. In the following interview, he talks about his work on KICK ASS.

OCEANS: Arno Fouquet – VFX Supervisor – L’E.S.T.

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Arno Fouquet and Christian Guillon from L'E.S.T. were responsible for general visual effects supervision on OCEANS, the new documentary feature by Jacques Perrin. The visual effects were dispatched between BUF, Mikros Image and Def2Shoot. In the following interview, Arno Fouquet talks about L'E.S.T. and his work on OCEANS.

GREEN ZONE: Charlie Noble – VFX Supervisor – Double Negative

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Charlie Noble works in visual effects for over 15 years. He joined Double Negative at its beginnings in working on PITCH BLACK. He will participate by result in numerous projects from studios like ENEMY AT THE GATES, FLYBOYS or THE DARK KNIGHT. He has also supervised THE BOURNE ULTIMATUM directed by Paul Greengrass, that he meet again on GREEN ZONE.

AVATAR: Daniel Leduc – VP & Visual Effects Supervisor – Hybride

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Daniel Leduc is a true pioneer in the visual effects in Canada, he founded with 3 other partners the company Hybride that has achieved the effects of many films such as the SPY KIDS trilogy, SIN CITY, 300 or JOURNEY TO THE CENTER OF THE EARTH. They just completed AVATAR.

LEGION: Jeff Campbell – VFX Supervisor – Spin VFX

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Jeff Campbell has evolved in visual effects for 17 years as an animator, compositor, and VFX Supervisor. He has added his unique artistic vision to the benefit of numerous feature film projects such as FIGHT CLUB, X-MEN and THE CELL. He join Spin in 2003. His most recent VFX Supervisor credits include, 20th Century Fox’s “MAX PAYNE” and now Sony Screen Gems “LEGION”. He talks about his work on LEGION and the challenge that were the wings of the Angels.