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Come have a look at the work of Scanline VFX on TERMINATOR: DARK FATE: https://vimeo.com/386211448 © Vincent Frei – The Art of VFX – 2020

Czech studio UPP presents their work on the highway sequence and more for TERMINATOR: DARK FATE: https://vimeo.com/417605672 WANT TO KNOW MORE?UPP: Dedicated page about TERMINATOR -...

Don't miss this really cool VFX Breakdown by Blur Studio about their work on the Future sequence of TERMINATOR: DARK FATE (click on the...

Discover how Digital Domain created epic zero-gravity fight between the T-800 and the new evil Terminator, explosion, head and body replacements and much more...

At the end of last year, Jeff White explained ILM's work on AQUAMAN. David Seager began his career in visual effects in the late 1990s. He worked in many studios such as Sony Pictures Imageworks, MPC and joined ILM in 2017. He has taken care of the effects for many films such as WATCHMEN, MALEFICENT, FURIOUS SEVEN and ALADDIN. In 2017, Alex Wang explained DNEG's work on THE FATE OF THE FURIOUS. He joins ILM in 2017 and works on JURASSIC WORLD: FALLEN KINGDOM. Scott Benza is working at ILM for 22 years. He has worked on films such as TRANSFORMERS, THE AVENGERS, KONG: SKULL ISLAND, BUMBLEBEE.

Come have a look at these action sequences from TERMINATOR: DARK FATE made by the teams of Method Studios: WANT TO KNOW MORE: Method Studios: Dedicated...

Eric Barba began his visual effects career more than 27 years ago. After working for nearly 20 years at Digital Domain, he joined ILM in 2016. He took care of the effects of films such as ZODIAC, TRON: LEGACY, OBLIVION and ONLY THE BRAVE. He won an Oscar for Best Visual Effects for THE CURIOUS CASE OF BENJAMIN BUTTON.

In 2018, Jay Barton explained the work of Digital Domain on AQUAMAN. He talks to us today about his work on TERMINATOR: DARK FATE.

In April 2019, Tim Miller told us about his work on LOVE, DEATH & ROBOTS. Today, he talks about the challenges of his new film, TERMINATOR: DARK FATE.

Don't miss this making of by AMD featuring Director & Co-Founder Tim Miller and VFX Supervisor Dan Akers about the VFX work of Blur...