Tag: VFX Supervisor

During his last visit Alessandro Cioffi told us about the work of Trixter on CAPTAIN AMERICA: THE FIRST AVENGER. Since then he has worked on films such as THE AVENGERS, MARVEL ONE-SHOT: ITEM 47 or CLOUD ATLAS.

During his last visit here, Bryan Grill had explained to us the work of Scanline VFX on HEREAFTER. He then worked on GULLIVER'S TRAVELS and THE AVENGERS.

Matt Dessero began his career in the VFX more than 15 years ago. He worked in many studios such as CFC, Sony Imageworks, ESC Entertainment and recently Method Studios. He has worked on films like AMERICAN BEAUTY, MATRIX REVOLUTIONS, WATCHMEN, ARGO or CLOUD ATLAS.

Simon Stanley-Clamp explained the Cinesite's work on PIRATES OF THE CARIBBEAN: ON STRANGER TIDES on his last visit to The Art of VFX. He then worked on JOHN CARTER and today he explains his work on IRON MAN 3.

Simon Maddison had explained to us the work of Fuel VFX on COWBOYS & ALIENS and THE AVENGERS. Now he talks about his work on IRON MAN 3.

Guy Williams had talked to us here about the visual effects of Weta Digital on THE AVENGERS a year ago. He is back with this new Marvel production and explains the many challenges on this film. Aaron Gilman started his career in animation more than 10 years ago. He worked for studios such as Meteor Studios and Tippett Studio on projects like MATRIX REVOLUTIONS, HELLBOY, CONSTANTINE or JOURNEY TO THE CENTER OF THE EARTH. He then joined Weta Digital to work on AVATAR. After that he worked on films such as THE ADVENTURES OF TINTIN, THE AVENGERS and THE HOBBIT: AN UNEXPECTED JOURNEY.

Mark Bakowski began his career in visual effects more than 10 years ago. He worked for many studios such as Mill Film, Cinesite and Framestore. He has worked on films like V FOR VENDETTA, CHARLIE AND THE CHOCOLATE FACTORY, QUANTUM OF SOLACE or PRINCE OF PERSIA: SANDS OF TIME.

Since his last visit on The Art of VFX for THE THREE MUSKETEERS, Ara Khanikian worked on films like IMMORTALS, UNDERWORLD: AWAKENING, RED TAILS or MIRROR MIRROR.

Isabelle Perin-Leduc began her career in visual effects at BUF in 2003. She has worked on many commercials before moving on feature films such as the trilogy of ARTHUR AND THE INVISIBLES, MR. MAGORIUM'S WONDER EMPORIUM, BE KIND REWIND or SPEED RACER.

Bjørn Mayer began his career in visual effects more than 10 years ago. He worked at Pixomondo on films such as RED BARON, 2012, RED TAILS or HUGO.