Tag: VFX Supervisor

THE WOLVERINE: James Rogers – VFX Supervisor – Method Studios

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James Rogers had explained us about his work on DAYBREAKERS. He then joined Method Studios and worked on many projects like THE HUNTER, ARGO or SEVEN PSYCHOPATHS.

THE WOLVERINE: Glenn Melenhorst – VFX Supervisor – Iloura

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Glenn Melenhorst spoke about the effects of Iloura for DON'T BE AFRAID OF THE DARK in 2010, then he worked on films such as PRIEST, TED or AFTER EARTH.

THE WOLVERINE: Tim Crosbie – VFX Supervisor – Rising Sun Pictures

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Tim Crosbie began his career in the VFX more than 15 years ago and has worked on movies such as WHAT DREAMS MAY COME, THE MATRIX or THE LORD OF THE RINGS: THE FELLOWSHIP OF THE RING. Tim is a part of the Rising Sun Pictures team for over ten years and supervised the effects of films like THE LAST SAMURAI, SUPERMAN RETURNS, PROMETHEUS or THE GREAT GATSBY.

AFTER EARTH: Jeff Campbell – VFX Supervisor – Spin VFX

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Since his interview about UNDERWORLD: AWAKENING, Jeff Campbell has worked on films like ABRAHAM LINCOLN: VAMPIRE HUNTER, RESIDENT EVIL: RETRIBUTION or THE TWILIGHT SAGA: BREAKING DAWN - PART 2.

MAN OF STEEL: Dan Lemmon – VFX Supervisor – Weta Digital

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Two years ago, Dan Lemmon told us about the work of Weta Digital for RISE OF THE PLANET OF THE APES. It is now back to explain his work on MAN OF STEEL.

PACIFIC RIM: John Fragomeni (President & Senior VFX Supervisor) & Zach...

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John Fragomeni, President of Mirada, has been with the studio since its inception in 2010 and oversees all aspects of the studio’s diverse portfolio and developing technology. Most notable of his feature film visual effects credits include the PIRATES OF THE CARIBBEAN franchise and TERMINATOR SALVATION, which he supervised while at Asylum. He has also worked on commercial projects for some of the biggest Fortune 500 companies - as a Director and as a VFX Supervisor - and served as Head of Visual Effects at Motion Theory (MTh). Zach Tucker has supervised countless teams of artists and worked alongside world-class directors for films such as G-FORCE, THE SEEKER: THE DARK IS RISING, DEJA VU and APOCALYPTO. As a Visual Effects Supervisor at Mirada, he brings extensive technical expertise to high-profile feature film and advertising projects, including work for Expedia, Tide, Centrum, and a Super Bowl spot for Wrigley’s “5 Gum.” Tucker has also worked for Digital Domain and Asylum.

WORLD WAR Z: Jessica Norman – VFX Supervisor – MPC

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Jessica Norman began her career in visual effects in 2001 at MPC. She has worked on projects such as LARA CROFT: TOMB RAIDER, ALIEN VS PREDATOR, CORPSE BRIDE, many HARRY POTTER or NIGHT AT THE MUSEUM: BATTLE OF THE SMITHSONIAN.

PACIFIC RIM: Lindy DeQuattro – VFX Supervisor – ILM

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Lindy DeQuattro worked at ILM for over 15 years. She has participated in projects such as DEEP IMPACT, MINORITY REPORT, HULK or VAN HELSING. As visual effects supervisor, she took care of movies like RUSH HOUR 3, CLONES or THE GREAT GATSBY.

STAR TREK INTO DARKNESS: Kevin Baillie – VFX Supervisor – Atomic...

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A few months ago, Kevin Baillie explained the work of Atomic Fiction of Robert Zemeckis' FLIGHT, for which they won the Satellite Award for Best Visual Effects. This time he talks about his work for STAR TREK INTO DARKNESS.

NOW YOU SEE ME: Ara Khanikian – VFX Supervisor – Rodeo...

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A few months ago, Ara Khanikian explained to us the work of Rodeo FX on JACK THE GIANT SLAYER. Today he talks about the magical effects for NOW YOU SEE ME.