Tag: Digital Domain
Neil Huxley is back on Art of VFX. He talked about his work at Prime Focus on AVATAR. He then joined the team of Mothership as director. Accompanied by Aladino Debert, he explains his work on this DEAD SPACE 3 commercial.
Here is the brand new trailer for IRON MAN 3. The VFX are made by : Weta Digital (VFX Supervisors: Guy Williams & Matt Aitken) Digital Domain...
Here is the new trailer for OBLIVION. The VFX are made by : Digital Domain (VFX Supervisor : Eric Barba) Pixomondo The Production VFX Supervisors are : Bjorn...
Here is the trailer for G.I. JOE: RETALIATION. The VFX are made by : Industrial Light & Magic Digital Domain (VFX Supervisor: Thad Beier) Method Studios (VFX Supervisor:...
Jay Barton worked over 14 years at Digital Domain and participated in many projects such as STAR TREK: NEMESIS or TRON LEGACY. He oversaw the effects of X-MEN FIRST CLASS. He speaks here about the invisible effects for ROCK OF AGES.
Erik Nash began his career in 1979 on the film STAR TREK: THE MOTION PICTURE. He joined Digital Domain in 1995 and work on projects like APOLLO 13, TITANIC or KUNDUN. He then became VFX supervisor and take care of the effects of films like RED PLANET, I ROBOT, PIRATES OF THE CARIBBEAN: AT WORLD'S END. In the following interview, he talks about his work on REAL STEEL.
Little change of plans, Matthew Butler will finally not have time to answer my questions. Here is anyway a text about the impressive work of Matthew Butler and his team of Digital Domain on TRANSFORMERS: DARK OF THE MOON.
Eric Fernandes has worked in many studios such as Industrial Light and Magic, Weta Digital or Dreamworks Animation and Digital Domain. He has worked on such films as STAR WARS EPISODE II: ATTACK OF THE CLONES, LORD OF THE RINGS: THE TWO TOWERS and RETURN OF THE KING but also on KUNG FU PANDA and AVATAR.
Kelly Port began his career in 1995 at Digital Domain on APOLLO 13. He participated in many projects of the studios such as TITANIC, RED PLANET or THE LORD OF THE RINGS: THE FELLOWSHIP OF THE RING. He will also oversee the effects of movies like WE OWN THE NIGHT, STAR TREK or THE A-TEAM.