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TRON LEGACY: Charlie Iturriaga – VFX Supervisor – Ollin Studio

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After working several years in Mexico and Latin America, Charlie Iturriaga and Ollin Studio began a long collaboration with David Fincher working on ZODIAC, THE CURIOUS CASE OF BENJAMIN BUTTON and THE SOCIAL NETWORK. At their credits, there are also the visual effects of THE SPIRIT, LET ME IN and THE LAST AIRBENDER.

TRON LEGACY: Danny Yount – Creative Director – Prologue Films

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Danny Yount, Creative Director at Prologue Films, accompanied by Daniel Klohn and Miles Laurisden talks about their work on TRON LEGACY. Prologue is a studio specializing in the design of film credits and motion design. They worked on films such as IRON MAN 2, THE LOSERS or SHERLOCK HOLMES and TV show like THE WALKING DEAD.

TRON LEGACY: Aaron Weintraub – VFX Supervisor – Mr. X

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Co-founder of the studio Mr. X in 2001, Aaron Weintraub oversees many films like A HISTORY OF VIOLENCE, SCOTT PILGRIM VS THE WORLD or REPO MEN. He recently completed the VFX supervision of THE FACTORY.

The Art of VFX celebrates its 1st birthday!

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[lang_fr]Bonjour à tous, Ce mardi marque le 1er anniversaire de The Art of VFX ! Je tenais à tous vous remercier de me lire chaque semaine et à être si nombreux à suivre mes interviews. Vous êtes plusieurs centaines à venir chaque semaine de plus de 80 pays différents. Je suis vraiment touché de vous savoir si nombreux à apprécier mon travail ! J'ai l'immense plaisir de vous faire partager les messages reçus à cette occasion. Pour lire ces commentaires, cliquez ici[/lang_fr][lang_en]Hello everyone, This Tuesday marks the first anniversary of The Art of VFX! I wanted to thank you all for reading me every week and to be so many to follow my interviews. You are several hundred to come every week from more than 80 countries. I am truly touched that you are so many to appreciate my work! I am pleased to share the messages I've received for this event. To read those comments, click here[/lang_en]

BOARDWALK EMPIRE: Justin Ball – VFX Supervisor – Brainstorm Digital

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After several years at Zoic Studios as a TD and engineer, Justin Ball joined the team at Brainstorm Digital. He participated in many projects such as BURN AFTER READING, DUPLICITY or THE ROAD. It also oversees the effects of several films like BROOKLYN'S FINEST, or LETTERS TO JULIET and THE ADJUSTMENT BUREAU.

THE CHRONICLES OF NARNIA: THE VOYAGE OF THE DAWN TREADER –...

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Adam Valdez began his career at Tippett Studio in 1990 where he worked on great projects such as JURASSIC PARK or STARSHIP TROOPERS. After a transit at PDI, he joined the team at Weta Digital working on the first two LORD OF THE RINGS. In 2004, he moved to London and worked since then at MPC.

HARRY POTTER AND THE DEATHLY HALLOW Part 1: Andy Robinson –...

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After working several years at Toybox and Mr. X, Andy Robinson joined Cinesite in 2004. He worked on numerous projects such as V FOR VENDETTA, THE GOLDEN COMPASS or THE DARK KNIGHT.

HARRY POTTER AND THE DEATHLY HALLOW Part 1: Holger Voss –...

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After working several years with H5B5 and FrameFx, Holger Voss joined Cinesite in 2003 where he worked on a wide variety of projects for film such as THE GOLDEN COMPASS, MOON or V FOR VENDETTA but also on TV series like GENERATION KILL.

RESIDENT EVIL AFTERLIFE 3D: Ara Khanikian – Lead Compositing – Rodeo...

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After we have talked about the visual effects of Rodeo FX on JONAH HEX, Ara Khanikian gave me a new interview to talk about RESIDENT EVIL : AFTERLIFE 3D.

INCEPTION: Paul Franklin – VFX Supervisor – Double Negative

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After beginning his career at Digital Film and MPC, Paul Franklin helps to the creation of the studio Double Negative in 1998. Since then he has supervised projects such as THE LEAGUE OF EXTRAORDINARY GENTLEMEN and HARRY POTTER AND THE ORDER OF THE PHOENIX and has supervised all the movies of Christopher Nolan since BATMAN BEGINS. In the following interview, he talks to us about his work on INCEPTION.