the third day - résultats de la recherche

Ian Hunter is in the world of special effects for more than 25 years. He is one of the co-founder of New Deal Studios. He has worked on many films such as BATMAN RETURNS, PITCH BLACK, WAR OF THE WORLDS or THE DARK KNIGHT. He just won the Oscar and BAFTA for Best Visual Effects for INTERSTELLAR.

Simon Carr worked for nearly 20 years in visual effects. He worked in various studios around the world and on many projects. He oversaw the effects of films such as ROCK OF AGES, OBLIVION, STAR TREK: INTO THE DARKNESS or MONUMENTS MEN.

In 2013, Jessica Norman had explained in details the work of MPC on WORLD WAR Z, she is now back to talks about her work on the new film by Ridley Scott, EXODUS - GODS AND KINGS.

During his last visit, Peter Chiang had explained to us his work on JOHN CARTER, he then took care of the visual effects of TOTAL RECALL and GODZILLA.

Christian Manz had explained to us in detail the work of Framestore on 47 RONIN last year. Now he talks about his work on DRACULA UNTOLD.

Before joining ILM in 2003, Richard Bluff worked at Revolution Software and Blur. At ILM, he worked on many films such as STAR WARS: EPISODE III - REVENGE OF THE SITH, TRANSFORMERS, IRON MAN or THE AVENGERS.

n 2010, Simon Otto had explained in detail about his work at Dreamworks Animation on the first episode of HOW TO TRAIN YOUR DRAGON. He then worked on several shorts inspired by this film. He is now back with the second episode.

Rick O'Connor began his career in the visual effects at ILM more than 15 years ago with STAR WARS: EPISODE I - THE PHANTOM MENACE. He then worked on films such as VAN HELSING, WAR OF THE WORLDS, all the TRANSFORMERS films or STAR TREK.

Daniel Kramer began his career in visual effects there are more than 22 years. He worked at VisionArt on films like INDEPENDENCE DAY or GODZILLA. He joined Sony Pictures Imageworks in 2000 to work on SPIDER-MAN. He worked also on many projects such as THE POLAR EXPRESS, WATCHMEN or HOTEL TRANSYLVANIA.

In 2012, Jonathan Fawkner had told us in details of Framestore work on WRATH OF THE TITANS. He then worked on GRAVITY as additional visual effects supervisor. Today he talks about his work on EDGE OF TOMORROW.