the dark tower - résultats de la recherche

Back in 2020, David Seager explained ILM's work on Terminator: Dark Fate. He then worked on We Can Be Heroes. Today he tells us...

Back in 2016, Jay Redd explained in detail the work of Sony Pictures Imageworks on Alice Through the Looking Glass. He then worked at...

Mike Stillwell has been working in visual effects for 15 years. He joined DNEG in 2010 and he has worked on many shows such...

Back in 2018, Kevin Smith talked to us about the work of Weta Digital on Mortal Engines. He went on to work on Godzilla...

Back in 2013, John "DJ" DesJardin talked to us about his visual effects work on Man of Steel. He went on to work on...

Curro Muñoz started working at Deluxe Spain in 2007. As a VFX Supervisor, he has worked on projects such as Elite, If I Hadn't...

Jonathan Harris began his career in visual effects in 2006. He works in many studios such as Important Looking Pirates, DNEG, Weta Digital and in 2018, he founded his studio, Dupe. He has worked on films such as KICK-ASS, IRON MAN 2, MAN OF STEEL and AVENGERS: THE AGE OF ULTRON. In 2013, Paddy Eason explained the work of Nviz on GRABBERS. He then worked on many films such as ROBOT OVERLORDS, ABSOLUTELY ANYTHING, KINGSMAN: THE GOLDEN CIRCLE and JESUS SHOWS YOU THE WAY TO THE HIGHWAY.

In 2017, Richard Hoover explained the work of Framestore on BLADE RUNNER 2049. He won a Best Achievement in Visual Effects at the Academy Awards for this work. He then worked on DUMBO. Today he tells us about his work on 6 UNDERGROUND by Michael Bay.

In 2017, Jessica Norman explained the work of MPC on WONDER WOMAN. She talks to us today about her work on MALEFICENT: MISTRESS OF EVIL.

Allen Maris began his career in visual effects more than 20 years ago. He has worked on many films such as THE CHRONICLES OF RIDDICK, PROMETHEUS, GODZILLA and A CURE FOR WELLNESS.