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Star Trek: Picard – Season 2: VFX Breakdown by Outpost VFX

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Let's discover the new adventures of Jean-Luc Picard with the teams of Outpost VFX in this VFX Breakdown showing their work on the second...

STAR TREK – PICARD: Dan Smiczek – CG Supervisor – Pixomondo

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Dan Smiczek began his visual effects career in 2011 at Rhythm & Hues. After working in various studios, he joined Pixomondo in 2018. He has worked on a many shows including STAR TREK: DISCOVERY, MIDWAY and THE MANDALORIAN.

The Orville – Season 2: Nhat Phong Tran (VFX Supervisor), Daniel...

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The team of Pixomondo (composed of Nhat Phong Tran (VFX Supervisor), Daniel Carbo (VFX Producer) and Matt McClurg (Previz Supervisor)) take us into deep space about their work on the second season of THE ORVILLE:

FMX 2018: the program and a new trailer

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Great news! FMX have released their program and here are some highlights: BLADE RUNNER 2049 Paul Lambert - Double Negative Luigi Santoro - Framestore Axel Akesson - MPC BLACK...

The 1000th interview: Duncan McWilliam – Founder & CEO – Outpost...

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Headquartered in Bournemouth, UK, and with offices in Montréal, London, Los Angeles and Mumbai, Outpost VFX exists to bring vivid creative ideas to life...

19th Annual VES Awards: The Nominees

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The Visual Effects Society has announced yesterday the nominations for the 19th Annual VES Awards! Congratulations and good luck to everyone! Outstanding Visual Effects in...

VFX Veteran Bryan Godwin Joins Pixomondo

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Great addition at Pixomondo with the VFX veteran Bryan Godwin as the Head of Studio for their Los Angeles office! Here is the press release: Pixomondo,...

Ghost VFX Showreel 2020

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If you like science fiction, zombies and creatures, be sure to watch this brand new showreel by Ghost VFX showing their work on STAR...

WESTWORLD – SEASON 3: Jeremy Fernsler – VFX Supervisor – DNEG

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Jeremy Fernsler began his career in visual effects over 20 years ago. He joined DNEG in 2017. His filmography includes projects such as STAR...

DEADPOOL 2: Mike Brazelton – VFX Supervisor – DNEG

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Mike Brazelton began his visual effects career in 2000 at Asylum VFX. He then worked in various studios such as ESC Entertainment, Digital Domain and MPC before joining DNEG in 2011. He has worked on many films such as THE CURIOUS CASE OF BENJAMIN BUTTON, WATCHMEN, GODZILLA, STAR TREK BEYOND and THE MUMMY.