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Richard Clegg began his career in visual effects in 2007 at MPC. He has worked on many projects such as CLASH OF THE TITANS, CINDERELLA, TERMINATOR GENISYS or PIRATES OF THE CARIBBEAN: DEAD MEN TELL NO TALES.

The Visual Effects Society purpose this great video that compiles the best of visual effects work from 1900 to 2015! What's your favorites? You can...

Excellent showreel by MPC featuring their latest work: PIRATES OF THE CARIBBEAN: DEAD MEN TELL NO TALES, WONDER WOMAN, ALIEN: COVENANT, GHOST IN THE...

In 2015, Sheldon Stopsack explained to us about the work of MPC on TERMINATOR GENISYS and then he worked on PIRATES OF THE CARIBBEAN: DEAD MEN TELL NO TALES. Today, he talks about his first collaboration with director Michael Bay for TRANSFORMERS: THE LAST KNIGHT.

This month of February marks a new year for The Art of VFX and is also the Awards season. The last year was rich of...

The Visual Effects Society have just announced the nominees for the 15th Annual VES Awards: Outstanding Visual Effects in a Photoreal Feature DOCTOR STRANGE...

Mike Janov has been working in the visual effects for over 20 years. He has worked for many studios such as The Orphanage, Spy Post, Industrial Light & Magic and Atomic Fiction. As an Associate VFX Supervisor, he took care of the effects of SAN ANDREAS, GAME OF THRONES: SEASON 5 or DEADPOOL.

In 2013, Hal Hickel had explained in detail about the work of ILM on PACIFIC RIM. He then moved from the giant robots to...

Craig Hammack begins his career in visual effects at ILM in 1997. He works on projects such as TITANIC, STAR WARS: EPISODE III - REVENGE OF THE SITH, PIRATES OF THE CARIBBEAN: DEAD MAN'S CHEST or STAR TREK. He then became VFX Supervisor on THE LAST AIRBENDER and then supervise the effects for RED TAILS, BATTLESHIP and NOW YOU SEE ME.

Charles Gibson began his career in the visual effects by working on numerous TV series. In 1987, he founded Rhythm and Hues with John Hughes, Pauline Ts'o, Keith Goldfarb, Cliff Ball and Frank Wuts. He will work there for a decade. Then he became freelance VFX Supervisor and will handle films like THE TERMINAL, the PIRATES OF THE CARIBBEAN or TERMINATOR SALVATION. He won two Oscars for best visual effects, the first on for BABE and the second for PIRATES OF THE CARIBBEAN: DEAD MAN'S CHEST.