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Wednesday: Tom Turnbull – Production VFX Supervisor
Tom Turnbull has over 30 years experience in visual effects. He co-founded the studio Rocket Science VFX with Anthony Paterson in 2003. He has...
Elvis: Tom Wood – Production VFX Supervisor
Back in 2015, Tom Wood had explained the work done by Iloura's teams on Mad Max: Fury Road. He went on to work on...
The 1000th Interview: Niklas Jacobson & Yafei Wu – Co-founders –...
Important Looking Pirates (ILP) is a visual effects and digital animation studio located in central Stockholm founded in 2007 by Niklas Jacobson, Yafei Wu,...
The Lost City: Jonathan Bowen – VFX Supervisor – DNEG
Jonathan Bowen has been working in visual effects for over 25 years. He has worked at many studios such as Cinesite, Weta FX, ILM...
Eiffel: Olivier Cauwet – Overall VFX Supervisor – BUF
In 2017, Olivier Cauwet explained the work of BUF on Blade Runner 2049. He then worked on several shows such as The Predator, Synchronic...
The Last Duel: Kristina Prilukova (VFX Producer), Romain Bavent (Compositing Supervisor),...
From August 2020 to April 2021, the Parisian teams of MPC Film & Episodic (formerly Mikros VFX) crafted 230 shots on Ridley Scott's latest...
Venom – Let There Be Carnage: Chris McLaughlin – VFX Supervisor...
Chris McLaughlin joined the DNEG team in 2010. He has worked on a number of projects including John Carter, Terminator Genisys, Blade Runner 2049...
Lisey’s Story: Pauline Duvall – Overall VFX Supervisor
In 2016, Pauline Duvall told us about her work on Deadpool! She then worked on many films such as 10 Cloverfield Lane, Star Trek...
Sweet Tooth: Matthew Bramante (On Set VFX Supervisor) & Rob Price...
Matthew Bramante started his career in visual effects in 2007 at Digital Domain. He has worked on many shows such as Real Steel, Iron...
For All Mankind – Season 2: Jay Redd – Overall VFX...
Back in 2016, Jay Redd explained in detail the work of Sony Pictures Imageworks on Alice Through the Looking Glass. He then worked at...